Scales & Modes

    455 lessons

    Breaks down major minor modal and synthetic scales along with practical exercises Helps students apply modes musically visualise patterns and build confidence across all 12 keys

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    Learn how to improvise on piano with just two notes and two chords: D minor and A7, with the pillar notes D and A, from your first whole note to enclosures, trills and triplets. Beginner to intermediate, with Jason Zac. Pick two chords, D minor and A7, and keep them pumping in the left hand. Then take just two notes, D and A, and let them be the pillars your melody always comes back to. That is the whole idea: land on a pillar, and everything you play around it sounds like it belongs. We build it one level at a time. Level 0 is the pillar notes in whole notes, half notes and off the beat. Then one note below (the leading tone), one down and one up, trills (including a more Indian trill), repeated cells and swing triplets, runs that connect the two pillars, and finally enclosures. Near the end there is a taste of a blues minor colour over the same two chords, and a way to practise it so you can compose your own little pieces. Play along with the chapters below, pause the video, and try each level before moving on. The same plan works in any minor key once you move the two pillars. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons 🎹 Simple but Effective Piano Improvisation Using Chord Tones as Pillars ➡️ https://youtu.be/xEqm46HKrBw 🎼 Compose & Improvise Better Melodies Using Scale & Chord Tones (Piano) ➡️ https://youtu.be/h2K0ZqkZViw 🎵 5 Things You Didn't Know About the Harmonic Minor Scale (Piano Theory) ➡️ https://youtu.be/i7dU99lBWAk ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://free-music-lessons.nathanielschool.com ============================= 00:00 - The two-chord performance 01:06 - The left hand: D minor and A7 03:09 - Level 0: the pillar notes D and A 05:03 - Level 1: one below 07:14 - Level 2: one down, one up 08:09 - Level 3: trills 09:31 - Level 4: repeat it, then triplets 10:28 - Level 5: connect the pillars 12:30 - Level 6: enclosures 13:14 - More notes, and a blues minor colour 14:52 - Putting it all together 16:20 - How to practise this ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Lessons ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #PianoLessons #PianoTutorial #MusicTheory #PianoImprovisation

    The hexatonic scale is the six-note scale between the pentatonic and the seven-note scales you already know — catchy like a pentatonic, with the flavour of a full scale. Piano lesson with Jason Zac of Nathaniel School of Music. Three ways to make six notes: take a seven-note scale and leave one note out (G major without F♯), add one note to a pentatonic (the minor and major blues scales), or put two triads together that share no note (G major + A minor — the "Sunday scale", a name made popular by pianist Peter Martin). Then play the pairs, in G: G + A minor, A♭ + B♭ minor, G + A (Lydian, no 7), G + F (Mixolydian, no 6), G + F minor and G + A♭ (Phrygian dominant colours), G + E♭ minor (the augmented scale), G + D♭ (a tritone apart — the Petrushka scale), and the minor-home pairs: G minor with A minor, F minor, A♭, F♯ minor and B. Last, the three families: triad pairs, symmetrical scales (whole tone, augmented, Petrushka) and culture scales (the blues scales, and six-note ragas like Marwa, Puriya and Sriranjani). The flavour is in the missing note. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 📹 Everything for Life Bundle ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses ➡️ https://piano.nathanielschool.com ▶️ Related lessons & playlists Piano Workout: 2 Chords, All Inversions & Modal Hexatonic Scales ➡️ https://youtu.be/qakASBgKQ9U Piano Improvisation: 3 Ways to Use the Pentatonic Scale ➡️ https://youtu.be/p2JYPEZ7nLU How to Write a Melody on Piano Using the Pentatonic Scales ➡️ https://youtu.be/hE3I3I6bIpk Blues Scale Piano Workout: Major & Minor Blues Scales ➡️ https://youtu.be/p46g4HXjtj0 Whole Tone Scale Exercise ➡️ https://youtu.be/ljflwFHZSQM Subset Scales on Piano: Carnatic Raga Colours From Pentatonics ➡️ https://youtu.be/-ExjS5-fKog Piano Scales (playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9qErCYaKIjOhKDf2j8Q0uH Creative Scale Practice (playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT-p0MXCH5MeTmklqTeygKP2 🎓 https://nathanielschool.com 📚 Free tutorials library — search "scales" ➡️ https://free-music-lessons.nathanielschool.com ⏱️ Chapters 00:00 - Intro 01:08 - Why six notes 06:48 - Three ways to make six 09:58 - The Sunday scale (G + A minor) 11:04 - A♭ + B♭ minor 12:17 - Lydian, Mixolydian and Spanish pairs 15:24 - Augmented and Petrushka pairs 16:58 - Minor-home pairs 19:16 - The three families 19:40 - Symmetrical scales 21:56 - Culture scales 23:08 - Wrap-up 💰 PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 💬 WhatsApp ➡️ +91 77604 56847 ✉️ music@nathanielschool.com #PianoLessons #PianoTutorial #MusicTheory #HexatonicScale

    Learn how to play blues piano with just two notes in your right hand — shell voicings, the Charleston rhythm and both blues scales over a 12-bar blues in E, with Jason Zac of Nathaniel School of Music. 🎹 A dominant seventh chord has four notes, and you only need two of them. Keep the third and the flat seventh — the two notes that make it a dominant — and throw the root and the fifth away. Your left hand covers the root anyway, and as Jason puts it, the fifth "isn't adding that much unique harmonic flavour" in the right hand, so give it to the left and it widens the whole thing out. That pair is a shell voicing, and it is what blues and jazz pianists have always actually played. We start on C7 — E and B flat — and then take it to E for the rest of the lesson. E7 is D and G sharp. A7 is C sharp and G. B7 is D sharp and A. Every one of those is a tritone, and here is the part nobody tells you: a tritone is its own inversion. Turn a perfect fourth upside down and you get a fifth; turn a major third upside down and you get a minor sixth; turn a tritone upside down and you get another tritone. That is why 3–♭7 and ♭7–3 are the same shape, and why your hand barely moves all the way round a blues. Then the rhythm. The Charleston is two hits, swung, and there is a displaced version that starts late and lands on the three. Combine them — Jason's own preference is the displaced one first, then the normal one, which is everywhere in rock and roll. Left hand keeps a steady root and fifth underneath. And the gap the Charleston leaves is not empty space: it is where your solo goes. For the solo, two scales, and both are simpler than they sound. The major blues is just the major pentatonic with a flat third added. The minor blues is the minor pentatonic with the blue note. Then three licks: E B D E, the longer B D B B flat A G that fits over B7, A7 and E7 without changing a note, and the A–B flat–B turnaround — the four, the tritone and the five — that sends you round again. Finish with what Jason calls "some masala": slide the whole tritone voicing down chromatically. Do that from B7 and you land on E7, then A7 — because the three chords of an E blues sit on three touching pairs of keys. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 📹 Everything for Life Bundle ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses ➡️ https://piano.nathanielschool.com ▶️ RELATED LESSONS One Left Hand Pattern. Both Blues Scales. ➡️ https://youtu.be/DNod4Pke5gE Blues Scale Piano Workout: Major & Minor Blues Scales ➡️ https://youtu.be/p46g4HXjtj0 10 Piano Exercises on ONE Chord (E7) ➡️ https://youtu.be/22fTJTAE9WI The 12-Bar Blues Bassline Every Piano Left Hand Needs ➡️ https://youtu.be/u8dWiosMZd4 The Best Blues Piano Patterns for Both Hands ➡️ https://youtu.be/0lWwA6Kr9Mc 🎛️ FREE PRACTICE TOOLS Metronome with swing + a Charleston mode ➡️ https://metronome.nathanielschool.com Jazz Lab — play the form back at yourself ➡️ https://jazz.nathanielschool.com 🎓 https://nathanielschool.com 📚 All 1000+ lessons ➡️ https://learning-portal.nathanielschool.com 🆓 Free tutorials website — every lesson sorted by topic and level ➡️ https://free-music-lessons.nathanielschool.com ⏱️ CHAPTERS 00:00 - Performance 00:27 - Lesson Preview: Blues Shell Improvisation 🎹 01:12 - Building C7 from 3 and b7 01:45 - Inverting the Shell: b7 and 3 01:55 - Expanding Shells with Chord Colours 02:18 - Creating Space for Right-Hand Improvisation 02:59 - The Left-Hand Root–Fifth Pattern 04:40 - Setting Up the 12-Bar Blues in E 06:55 - Shell Voicings in Both Inversions E7, A7 & B7 08:39 - Introducing the Charleston Rhythm 🥁 09:42 - The Displaced Charleston Pattern 10:18 - Combining Both Charleston Variations 11:50 - Passing, Walking and Ghost Bass Notes 12:22 - Using Rhythmic Gaps for Improvisation 12:33 - Lick 1: E–B–D–E 13:41 - Composing Licks from Blues Scales 15:12 - Lick 2: Sliding into B 15:58 - Turnaround Lick over B7–A7–E7 17:32 - Transposing the Pattern to Other Keys 17:55 - Lesson Recap: Shells, Rhythm and Licks 19:00 - Adding a Chromatic Downward Slide 19:40 - Final Practice Suggestions 💛 Support ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 💬 WhatsApp ➡️ +91 77604 56847 ✉️ music@nathanielschool.com 🎧 Riffs ➡️ https://riffs.jasonzacmusic.com/ #PianoLessons #PianoTutorial #MusicTheory #BluesPiano

    Take one note — D — and the six chords that contain it: D major, D minor, G major, G minor, B♭ major and B minor. One chord alone lets you imagine many scales. Two chords narrow it down. Three chords and the scale is obvious. That is how chord charts really work: you read chords and you interpret scales. Full lesson (all three rounds, the chart for every pair, all 12 keys): https://youtu.be/BYP9-thyDJU 🌳 Chord Trees — pick any note, see every chord that fits it, free in your browser: https://chord-trees.nathanielschool.com Comment CHORD TREES and I'll send you the link. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 📹 Everything for Life Bundle ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses ➡️ https://piano.nathanielschool.com 🛠 25+ free practice tools ➡️ https://apps.nathanielschool.com 🎓 https://nathanielschool.com 📚 All 1000+ lessons ➡️ https://learning-portal.nathanielschool.com 💰 PayPal: https://geni.us/DonatePayPal 📞 +91 77604 56847 (WhatsApp) · 📧 music@nathanielschool.com · 📷 https://instagram.com/jasonzac #MusicTheory #PianoLessons #Scales #PianoChords

    A chord is an unfinished scale. A triad gives you three notes; a scale needs seven. So the four notes you add are up to you — and that is where every scale comes from. In this lesson I build scales the unconventional way: not tone–tone–semitone, not from the modes, but from chords. One chord leaves four notes open to your imagination — D major alone gives you D major, D mixolydian, D lydian, D harmonic major, and it is also the dominant of G harmonic minor and G melodic minor. Two chords narrow it down to one or two notes: D major with G major gives you D major, D mixolydian, or G harmonic major if you make G the tonic; D major with G minor gives you the harmonic minors, melodic minors and harmonic majors; D major with B♭ major fits only one scale, and it is a beautiful one. Three chords and the scale is decided — D, G and B minor live in D major and in G major at the same time, and the functions simply swap. That is how chord charts work. You read chords and you interpret scales. You are not locked to a key signature — you let the chord, or the cadence, or the trio, dictate the scale. ✏️ Correction (05:45): I call the G minor triad “the fifth, or the dominant, of D Phrygian”. G is the FOURTH degree of D Phrygian (D E♭ F G A B♭ C) — the fifth is A — so G minor is the subdominant, the iv, of that scale. The very next sentence has it right: start from the chord and choose tonic, dominant or subdominant. Thanks to @aaditmodi1 for catching it. 📥 STUDY GUIDE + APP 🌳 CHORD TREES Pick a key and a scale and see every chord born from it — free in the browser: https://chord-trees.nathanielschool.com ▶️ WATCH NEXT Form ANY Scale in Music From 3 Perspectives: https://youtu.be/gunrSlNNiJU Major-Esque Scales You NEED To Know (Part 2): https://youtu.be/9aKo3JsXkMo Minor-Esque Scales Decoded (Part 3): https://youtu.be/_DbME-fKHiI Practice Every Scale on Piano Using Major-Minor Chord Pairs: https://youtu.be/kak4hvdjsY0 Play the Modes on Piano Using Just ONE Chord: https://youtu.be/GV3fAe9782o 🎹 LEARN WITH US Live online lessons, Bangalore centres and the Everything For Life bundle: https://nathanielschool.com 🛠 FREE PRACTICE TOOLS 25+ free browser tools for rhythm, chords, inversions, notation and ear training: https://apps.nathanielschool.com Chord Trees — every chord that fits any note: https://chord-trees.nathanielschool.com ⏱ CHAPTERS 00:00 - Performance 00:17 - Introduction: Building Scales Through Chords 🎹 00:44 - Six Major and Minor Triads Containing D 01:03 - A Triad as an Unfinished Scale 01:21 - How Two Chords Narrow the Choices 01:39 - How Three Chords Define a Scale 01:52 - Reading Chord Charts as Scale Information 02:20 - Letting Harmony Dictate the Scale 02:48 - Practice Setup at the Keyboard 03:18 - The D Chord Tree Explained 04:04 - Scales Supported by D Major 04:15 - D Major as Tonic or Dominant 04:25 - G Harmonic Minor and G Melodic Minor 05:20 - Exploring the G Minor Triad 06:00 - Dominant, Tonic and Subdominant Functions 06:27 - Bb Major Scale Possibilities 07:08 - Combining D Major and G Major 07:27 - Finding the Two Missing Notes 07:40 - D Major, D Mixolydian and Harmonic Major 08:30 - G Harmonic Major from Reinterpreted Chords 09:13 - Combining D Major and G Minor 09:28 - D7 Resolving to G Minor 10:00 - Unusual Two-Chord Scale Combinations 11:38 - D Major, G Major and B Minor 11:54 - Changing Functions in D Major and G Major 12:55 - D Minor, G Minor and Bb Major 13:35 - D Harmonic Minor or Natural Minor? 14:09 - Applying the Method to Improvisation and Composition 💛 SUPPORT THESE FREE LESSONS PayPal: https://paypal.me/jasonzac?locale.x=en_GB&country.x=IN UPI: jasonzac-1@okhdfcbank (Jason Zac) 📩 TALK TO US WhatsApp: https://wa.me/917760456847 Instagram: https://instagram.com/jasonzac · https://instagram.com/nathanielschool #ChordScales #PianoScales #MusicTheory

    Learn blues piano with Jason Zac — one left hand pattern, and both blues scales on top of it, in the key of B♭. The left hand runs a shuffle engine: root with its 5th, then root with its 6th — 1 5 1 6 — struck together, staccato, wrist bouncing like a trampoline. Add the ♭7 and it becomes 5 6 ♭7 6. That engine never stops while the right hand plays the B♭ major blues (1 2 ♭3 3 5 6) and the B♭ minor blues (1 ♭3 4 ♭5 5 ♭7), one octave and then two, in eighth notes and then triplets. Three notes live in both scales — B♭, D♭ and F. That's the door you improvise through. ▶️ Full lesson ➡️ https://youtu.be/p46g4HXjtj0 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 📹 Everything for Life Bundle ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses ➡️ https://piano.nathanielschool.com 🎛️ Free practice tools ➡️ https://apps.nathanielschool.com 🎓 https://nathanielschool.com 📚 All 1000+ lessons ➡️ https://learning-portal.nathanielschool.com 💛 https://geni.us/DonatePayPal 📸 https://instagram.com/jasonzac 💬 +91 77604 56847 · music@nathanielschool.com #PianoLessons #PianoTutorial #MusicTheory #BluesPiano

    Learn how to harmonize any Melakarta raga on piano with Jason Zac of Nathaniel School of Music — turn 72 ragas into playable chords. 🌐 The app in this video — Melakarta Sphere, all 72 ragas in 3D, free, no signup: https://melakarta.nathanielschool.com Ever wondered how to harmonize a raga on piano? This lesson shows how the 72 Melakarta ragas are built and how to turn each one into playable chords. We walk through the logic behind the system: Sa and Pa stay fixed, the perfect fifth is always kept, and you choose from three Re, three Ga, two Ma — Shuddha Madhyama (the perfect fourth) and Prati Madhyama (the augmented/sharp fourth) — three Dha and three Ni. That simple maths gives every heptatonic scale under the sun. You'll see the twelve chakras (Indu, Netra, Agni, Veda, Bana, Rutu, Rishi, Vasu, Brahma, Disi, Rudra, Aditya) and hear how ragas map to Western modes: Kharaharapriya against Dorian and the Kafi thaat, Hanumatodi leaning Phrygian, and Mayamalavagowla (the 15th Melakarta), also called the double harmonic major. We also touch Harikambhoji (Mixolydian) and Charukesi (Mixolydian flat 6), then harmonize each raga into triads and seventh chords, including cluster and augmented shapes. This is for pianists who only know major and minor, and for Carnatic musicians curious about Western harmony. Play along, pick a raga, build its chords, and tell us your favourite in the comments. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 📂 Indian Music Theory - Carnatic Ragas - https://www.youtube.com/playlist?list=PLrNNL05e9FT-EsBVRojlfDQ078y6R438k 📚 Indian Classical Music - https://www.youtube.com/playlist?list=PLrNNL05e9FT-uvkwcbt1C4RbIJ8t1n3vm 🗂️ The Major Scale Understood with ALL Intervals - https://www.youtube.com/playlist?list=PLrNNL05e9FT-E6rHuGKoYQk_8-jOw3_Bh 📋 Minor Scales - Theory, Exercises & Compositions - https://www.youtube.com/playlist?list=PLrNNL05e9FT_8KkjOUBofqzyhbgGkROE- 🎶 Cadences & Chord Progressions - https://www.youtube.com/playlist?list=PLrNNL05e9FT_sKjWd1c7K_S55cZ15jAKI ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - What Does It Mean to Harmonize a Scale? 🎹 00:33 - The Melakarta Concept in One Idea 00:44 - Why Sa and Pa Stay Fixed 00:56 - Augmented Fourth vs Diminished Fifth 01:09 - Keeping the Perfect Fifth 01:33 - What Harmonize Really Means 🎵 01:40 - Harmonizing for Collaboration 02:12 - Scaling from Triads to Seventh Chords 02:50 - Kharaharapriya ≈ Dorian & Kafi Thaat 03:03 - Melakarta as Heptatonic Thaats 03:52 - The Melakarta Sphere Mode 🌐 04:11 - Selecting Hanumatodi 04:27 - Janya Ragas Explained 04:37 - Playing the Scale with Tanpura 05:01 - Arohana, Avarohana & Both 05:15 - Swing Feature for Western Players 05:28 - Hanumatodi Sounds Phrygian 05:57 - Reading the Interval Labels 07:07 - Brain Mode: The Mind Map 07:46 - The Chakra Navigator 07:58 - Twelve Chakras Named 08:11 - Grid & Mandala Modes 08:36 - Indu Chakra: Kanakangi 09:52 - Building Re from C 10:39 - Building Ga: Diminished to Major Third 11:25 - Netra Chakra: Very Phrygian 11:37 - Agni Chakra: Middle Eastern Colour 11:46 - Veda Chakra: All Things Minor 13:02 - Mayamalavagowla = Double Harmonic Major 13:26 - Bana Chakra: Where the Major Lives 13:37 - Harikambhoji (Mixolydian) & Charukesi 13:43 - Charukesi: Mixolydian Flat 6 🎶 14:03 - Rutu Chakra 14:12 - The Prati Madhyama Hemisphere 14:38 - Rishi to Aditya Chakras 15:30 - Listen Mode: Sing a Raga 16:46 - Drills Mode for Swaras 16:54 - Stage Mode: Kritis & Sections 17:15 - Adjusting Tempo & Instruments 18:02 - Western Mode: Visualize the Scale 18:44 - Chords for Any Raga 🎹 20:05 - Inversions & Chord Colors 20:21 - Function: Tonic, Subdominant, Dominant 20:32 - Raga Fit & Janya Chord Options 22:08 - Tanpura, Talas & Practice Setup 23:30 - Wrapping Up: Harmonize Any Raga 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #MelakartaRagas #CarnaticMusic #PianoHarmony

    Learn the blues scale on piano with Jason Zac of Nathaniel School of Music — major and minor blues plus a 12 bar two-hand workout in Bb. Learn the blues scale on piano the practical way — a two-hand workout built entirely around the major blues and minor blues. Both are hexatonic (six-note) scales, and we form them step by step in the key of Bb. We start from the major and natural minor, strip the tritone to get the pentatonic, then add the blue note to make it bluesy. For the major blues you add the flat 3 to the major third; for the minor blues you add the tritone (E) from the root. We cover fingering, why Bb suits blues and horn players, and how to blend both scales for improvisation. The left hand learns the bouncy 1-5-1-6 shuffle engine, its flat-7 variation and how to run it over the 12 bar blues in a loose, staccato swing. We break down wrist and forearm technique so the left hand plays on autopilot. The right hand runs the scales one and two octaves, up and down, in swing and full triplet feels — with accents on the 2 and 4. Great for pianists who know major and minor scales and want to actually sound bluesy for jamming, composing or backing singers. Try it slowly with a shuffle backing track, then tell us in the comments if you'd like more blues lessons. Watch our left-hand blues patterns and improvisation lessons in the dedicated blues playlist too. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 📂 Bass Lines on Piano - https://www.youtube.com/playlist?list=PLrNNL05e9FT_bA-24IkQ31GFjbWaN5qf8 📚 Piano Improvisation Tutorials - https://www.youtube.com/playlist?list=PLrNNL05e9FT-b9x0Hk6hTmgkFoRoHalH_ 🗂️ Riffs with Backing Tracks - https://www.youtube.com/playlist?list=PLrNNL05e9FT-2jApHIXHL_bkmCH2wNNFe 📋 Hand Independence - https://www.youtube.com/playlist?list=PLrNNL05e9FT-On4vodpAoZqTlWDCS5jv7 🎶 Jazz Lessons - Chords, Standards & Exercises - https://www.youtube.com/playlist?list=PLrNNL05e9FT9ZCriHyNonJasffWWSCS_E ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 01:03 - Introduction: Two-Hand Blues Workout 01:37 - What We’ll Cover: Major & Minor Blues 🎹 01:54 - Why We Use the Key of Bb 02:23 - Flats, Horn Players & Different Keys 03:01 - Why Pianists Must Know All Keys 04:02 - Hexatonic Explained: Six Notes 04:23 - From Bb Major to the Pentatonic 04:35 - Knocking Off the 4th & 7th (Tritone) 04:59 - Adding the Flat 3: The Blue Note 05:11 - Fingering the Major Blues Scale 05:41 - Using the Blue Note Sparingly 06:03 - Building the Minor Blues Scale 06:22 - From Bb Natural Minor to Pentatonic 07:08 - Understanding Tritone Inversions 08:14 - 🔗 Watch Our Other Blues Lessons 09:00 - Left Hand Pattern 1: 1-5-1-6 09:36 - 1-5-1-6 Over the 12 Bar Blues 09:55 - Playing Two Notes Together Cleanly 10:13 - Loose Wrist & the Trampoline Bounce 10:48 - 1-5-1-6 Over the 12 Bar Blues 11:20 - Doubling the Pattern: Straight vs Swing 12:05 - Left Hand Pattern 2: Adding the Flat 7 12:45 - Getting the Left Hand on Autopilot 13:13 - Wrist, Forearm & Attack Technique 14:40 - Right Hand: Major Blues Fingering 16:01 - Articulation: Accenting 2 & 4 16:20 - Emphasising the ‘And’ of Every Bar 17:04 - Major Blues Over the Full 12 Bar 17:35 - The Swing Feel as Triplet Permutation 18:05 - Right Hand: Minor Blues Fingering 19:07 - Chapter 34 19:32 - Minor Blues with Triplets 20:12 - From Scale to Lick: Real Song Context 20:47 - Major Blues Across Two Octaves 21:28 - Thumb Crossover on the Octave 21:59 - Minor Blues Two Octaves: Black-Note Thumb 23:46 - Putting It Together Slowly with Both Hands 24:52 - Two Octaves with Triplets & Accents 25:23 - Bass Line Variations for the Left Hand 25:50 - More Blues Lessons Coming: Licks & Improv 26:01 - Live Classes at Nathaniel 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #PianoLessons #PianoTutorial #MusicTheory #BluesPiano #BluesScale #12BarBlues #BluesScale #BluesPiano #PianoTechnique

    Part 2 of our thirds exercise series. Climb the G major scale in thirds and sharpen your semiquaver rhythm feel. The exercise uses G major and G harmonic minor, where the augmented second gives the harmonic minor its wider leap, and works on both closed thirds and spread thirds. The rhythm patterns use 16th notes, dotted notes, tied notes and rests in 4/4, with one rhythm figure for descending thirds and another for ascending thirds, starting from different scale degrees each time. For the left hand there are three options: hold the pulse on the starting note, mirror the right hand in thirds, or play the scale notes underneath the right-hand thirds.

    Part 1 of our thirds exercise breakdown — G major and G harmonic minor scales worked in diatonic thirds with two rhythm patterns. Practice this daily. We also cover three left-hand approaches: holding the pulse on the starting note, mirroring the right hand in thirds, or playing the scale notes underneath the thirds in the right hand.

    Learn the double harmonic major scale (Mayamalavagowla, the 15th Melakarta raga) on piano Learn the double harmonic major scale (Mayamalavagowla, the 15th Melakarta raga) on piano with Jason Zac of Nathaniel School of Music. If you normally practise only major, minor and harmonic minor scales up and down, this lesson opens a whole new sound world. Around the world this same scale has many names, and we use them all: the double harmonic major (so called because it has TWO augmented seconds, unlike the harmonic minor which has one), Bhairav thaat in Hindustani music, and the Byzantine or gypsy major scale. These alternate names are exactly what students search for. You'll play the raga one octave up and back with correct fingering (three fingers, then a cross-over), hold the Sa like a tanpura in the left hand, and try the "one extra" swara drill to reframe a 7-note scale into a comfortable 4/4 feel. We add accents to train the weaker fingers and imagine a drum groove to build musicality. Then we harmonize the raga — the real fun for pianists and guitarists. Building in thirds gives the triads: G major, A♭ major, B minor, C minor, D major ♭5, E♭ augmented (also G augmented, also B augmented), and the F# cluster chord. We extend these into seventh chords, including G major 7, A♭ major 7, B minor 7, the beautiful C minor-major 7th, the D7♭5 dominant, the E♭ major 7 ♯5 (a proper James Bond chord), and the F# cluster acting as a dominant. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Carnatic Swaras & Piano Finger Exercise - https://youtu.be/zO6s41NHYjI 🎯 Scales vs Keys vs Modes vs Ragas - Music Theory 🎼 - https://youtu.be/nzBEfnHCiA4 🔑 Fusion Piano: Indian Pentatonic Scale - https://www.youtube.com/watch?v=f0zGNckOhzY 📂 Indian Music Theory - Carnatic Ragas - https://www.youtube.com/playlist?list=PLrNNL05e9FT-EsBVRojlfDQ078y6R438k 📚 Indian Classical Music - https://www.youtube.com/playlist?list=PLrNNL05e9FT-uvkwcbt1C4RbIJ8t1n3vm ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:23 - Introduction 00:51 - G Major, G Minor & Harmonic Minor 01:05 - Practising Every Scale in 12 Keys 01:22 - Scale vs Key vs Mode vs Raga 01:53 - What Is a Scale? Intervals & Swaras 02:10 - Enharmonic Notes: C# = Db and More 02:45 - Expanding Your Horizon with Ragas 🎼 03:05 - The 72 Melakarta Ragas Explained 03:29 - The Three Options for Re 04:04 - Introducing Mayamalavagowla (15th Melakarta) 04:30 - Playing the Raga vs Good Old Major 04:50 - What Makes This Scale Unique: The Gaps 05:06 - Sa Re Ga Ma Pa Dha Ni & Scale Degrees 05:26 - Comparing Swaras with Western Solfège 06:07 - The Augmented Second Intervals 06:45 - Fingering the Scale on Piano ✋ 09:10 - Alternate Names: Double Harmonic Major 09:56 - Bhairav Thaat in Hindustani Music 10:15 - Playing the Raga One Octave Up & Back 10:36 - Left Hand as a Tanpura (Holding Sa) 11:21 - The ‘One Extra’ Swara Drill 11:47 - Black note positioning 12:15 - Singing and playing the Swaras 12:25 - The ‘One Extra’ Swara Drill 12:54 - One Down, One Extra on Descending 13:49 - Adding Accents & Training Weak Fingers 14:09 - Imagining a Drum Groove 14:32 - How to Harmonize the Raga with Chords 15:34 - Why Triads and Not Clusters 17:01 - All Triads Played Together 18:05 - The E♭ Augmented Chord Trio 18:27 - The F# Cluster Chord Explained 18:51 - All Triads Played Together 19:18 - Singing the Swaras with the Chords 20:18 - Moving to Seventh Chords 🎶 20:32 - C Minor-Major 7th: A Favourite Chord 20:45 - D7♭5 & E♭ Major 7 ♯5 (James Bond Chord) 21:25 - Scale in Right Hand, Roots in Left Hand 21:59 - Singing One Swara Every Two Beats 23:15 - Ascending & Descending with Chords 24:42 - Thinking Intervallically About the Raga 25:01 - Final Thoughts & Practice Encouragement 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #Mayamalavagowla #DoubleHarmonicMajor #CarnaticMusic

    Ever wondered why some scales sound bright while others sound dark? In this theory lesson, Jason Zac introduces a simple binary framework to organise 16 different scales into just two categories — major-esque and minor-esque — based on a single defining interval: the third. A major-esque scale always contains a major third, while a minor-esque scale always contains a flat (minor) third. From this foundation, we explore eight major-esque scales including the major scale, mixolydian, lydian, lydian dominant, harmonic major, phrygian dominant (double harmonic major), and mixolydian flat 6. Each scale is built on the root A, played with supporting chord voicings, and connected to its emotional character. We then move into eight minor-esque scales: the natural minor, dorian, harmonic minor, jazz melodic minor, plus the more exotic Hungarian minor, Romanian minor, Neapolitan minor, and phrygian. You'll learn how the 6th and 7th degrees create four binary combinations within the traditional minor family, and how exotic scales introduce flat 2 and raised 4 intervals for that Eastern, Spanish, or Middle Eastern flavour. This lesson is especially valuable for composers working with Indian classical ragas, modal music, or any style where the 6th or 7th shifts between ascending and descending lines. Jason also shares ear training drills using sa-re-ga-ma syllables, pendulum-style interval singing, and chord pairings that lock each scale into your ear and fingers.

    Learn how to group 16 piano scales into major-esque and minor-esque categories using the third interval. Theory lesson by Jason Zac. Ever wondered why some scales sound bright while others sound dark? In this theory lesson, Jason Zac introduces a simple binary framework to organise 16 different scales into just two categories — major-esque and minor-esque — based on a single defining interval: the third. A major-esque scale always contains a major third, while a minor-esque scale always contains a flat (minor) third. From this foundation, we explore eight major-esque scales including the major scale, mixolydian, lydian, lydian dominant, harmonic major, phrygian dominant (double harmonic major), and mixolydian flat 6. Each scale is built on the root A, played with supporting chord voicings, and connected to its emotional character. We then move into eight minor-esque scales: the natural minor, dorian, harmonic minor, jazz melodic minor, plus the more exotic Hungarian minor, Romanian minor, Neapolitan minor, and phrygian. You'll learn how the 6th and 7th degrees create four binary combinations within the traditional minor family, and how exotic scales introduce flat 2 and raised 4 intervals for that Eastern, Spanish, or Middle Eastern flavour. This lesson is especially valuable for composers working with Indian classical ragas, modal music, or any style where the 6th or 7th shifts between ascending and descending lines. Jason also shares ear training drills using sa-re-ga-ma syllables, pendulum-style interval singing, and chord pairings that lock each scale into your ear and fingers. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ========================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ========================= ▶️ Related Videos & Playlists 🎬 Major Esque vs Minor Esque — 8 Scales Explained (Part 1) - https://youtu.be/bmy_bXpE900 🎯 Major-Esque Scales You NEED To Know (Part 2) - https://youtu.be/9aKo3JsXkMo 🔑 Minor-Esque Scales Decoded: Exotic to Traditional (Part 3) - https://youtu.be/_DbME-fKHiI 💡 Play Smoother Thirds (Rhythm Drill) - https://youtu.be/e_gyu7219H0 📂 Scales & Modes - https://www.youtube.com/playlist?list=PLrNNL05e9FT_8KkjOUBofqzyhbgGkROE- ========================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:37 - Introduction: Why Group Scales? 01:35 - The Binary Concept: Major-esque vs Minor-esque 🎼 02:27 - What Defines a Major-esque Scale? The Major 3rd 03:09 - The 5 Crucial Intervals You Must Memorise 03:28 - Why Handwriting Theory Helps ✍️ 04:08 - What Defines a Minor-esque Scale? The Flat 3rd 05:01 - Part 1: Building 8 Major-esque Scales 05:10 - Scale 1: A Major 05:34 - Ear Training with Sa-Re-Ga-Ma Syllables 👂 07:06 - Practising with a Drone or Tanpura 07:44 - Scale 2: A Mixolydian — The Flat 7 08:47 - Pendulum Motion Ear Training Drill 09:19 - Scale 3: A Lydian — The Sharp 4 09:48 - Pairing Scales with Supporting Chords 🎹 11:17 - Scale 4: Lydian Dominant — Sharp 4 + Flat 7 12:27 - Scale 5: Harmonic Major — Flat 6 & Augmented 2nd 12:45 - What Makes a Scale ‘Harmonic’? 14:01 - Scale 6: Phrygian Major /Double Harmonic Major 15:47 - The Two Augmented 2nds 16:26 - Scale 7: Mixolydian Flat 6 17:02 - Scale 8: Phrygian Dominant 17:49 - Recap: All 8 Major-esque Scales 18:08 - Part 2: Building 8 Minor-esque Scales 18:14 - The Four Traditional Minor Scales 18:51 - Scale 9: Natural Minor — ♭6 & ♭7 18:59 - Scale 10: Harmonic Minor — Flat 6, Major 7 19:10 - Scale 11: Dorian — Natural 6, Flat 7 19:22 - Scale 12: Jazz Melodic Minor — Major 6 & 7 19:48 - Emotional Character of Each Minor Scale 21:12 - Classical Melodic Minor 21:32 - Defining Exotic Scales: Flat 2 & Flat 5 22:30 - Scale 13: Phrygian Minor — Spanish Flavour 🌶️ 22:44 - Scale 14: Hungarian Minor — Flat 3 + Sharp 4 23:28 - Scale 15: Romanian Minor — Flat 3, Sharp 4, Natural 6 24:20 - Scale 16: Neapolitan Minor — Harmonic Minor with ♭2 25:03 - How to Practise Each Scale 26:54 - Why This Framework Helps Composers 🎵 27:27 - Nirvana, The Beatles & Modal Mixture 27:46 - Indian Classical Music & Shifting Intervals 27:59 - Emotional Palette for Composition 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/

    Learn how to group 16 piano scales into major-esque and minor-esque categories using the third interval. Theory lesson by Jason Zac.

    Learn to play piano thirds & sixths cleanly with legato and staccato articulation across A major, E♭ major and harmonic minor scales. In this piano lesson, Jason Zac from Nathaniel School of Music walks you through a focused articulation workout using thirds and sixths across major and harmonic minor scales. If you've been struggling with uneven parallel intervals, this exercise will tighten up your finger control and coordination. We start by mapping out the third intervals in A major — visualising every white-black, black-white and white-white combination on the keys. Then we work through four articulation styles: pure legato, pure staccato, legato-staccato pairs, and staccato-legato pairs. Each one trains a different muscle and a different listening skill. Next we shift to E♭ major to challenge your fingering on a flat-key scale, and then dive into the harmonic minor versions of both keys. The augmented 2nd interval in harmonic minor makes the thirds noticeably trickier — exactly why it's such a valuable practice tool. Finally, we explore sixth intervals as inverted thirds and finish with a two-hand harmonisation exercise where the left hand harmonises the right hand in sixths, giving you real harmonic awareness while practising technique. Throughout the lesson we focus on steady time, dynamics, and smooth voice-leading. If you'd like structured coaching, fill out the course form linked in the description and our advisor will reach out shortly. Hit subscribe and ring the bell for more piano technique lessons! 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Piano Exercises: Intervals, Theory & Hand Independence - https://youtu.be/HTeiwowXVlI 🎯 Relative & Parallel Minor Scales Explained - https://youtu.be/tlq5Y00jbyg 🔑 Nursery Rhymes: Left Hand Piano Techniques - https://youtu.be/REOm6iNSTIs 💡 All 21 Modes: Major, Melodic & Harmonic Minor - https://youtu.be/-H3Mog6KUdw 📂 Minor Scales - Theory, Exercises & Compositions - https://www.youtube.com/playlist?list=PLrNNL05e9FT_8KkjOUBofqzyhbgGkROE- ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Demonstration 00:29 - 🎵 Intro & Lesson Overview 00:43 - What We’ll Cover: Thirds, Sixths & Articulation 01:06 - Why Articulation Matters on Piano 02:28 - 🎹 Starting with A Major — Three Sharps 03:11 - Mapping Out Thirds: White-Black Combinations 03:28 - Melodic vs Harmonic Intervals Explained 04:03 - Introducing Sixth Intervals as Inverted Thirds 04:44 - Major 3rd vs Minor 6th: The Mood Shift 05:10 - The Tritone Exception 05:58 - Planning Your Fingering for Legato 06:10 - Avoiding Over-Legato & Cluttered Notes 06:47 - Planning Your Fingering for Legato 07:03 - Singing the Indian Swaras 07:44 - 🎵 Staccato Articulation Technique 09:50 - Legato + Staccato Combinations 11:02 - Staccato + Legato: The Tricky Reverse 11:36 - 🎼 Switching to E♭ Major — Three Flats 12:12 - Mapping the E♭ Major Thirds 12:39 - Adding Dynamics to Your Practice 13:29 - 🎹 A Harmonic Minor: Building the Scale 14:34 - Harmonic Minor Thirds & Articulation 15:27 - 🎵 E♭ Harmonic Minor Thirds 15:43 - Watching the Augmented 2nd Interval 16:03 - Why Harmonic Minor Beats Natural Minor for Practice 17:28 - 🎶 Introducing Sixth Intervals 17:45 - Sixths in A Major — Legato Practice 18:34 - 🙌 Two-Hand Harmonisation Exercise 19:49 - Two-Hand Harmonisation in E♭ Major 20:13 - Applying All Articulations to Harmonised Hands 20:32 - 📝 Lesson Recap: Keys, Intervals & Articulations 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #ThirdsAndSixths #PianoTechnique #LegatoStaccato

    Learn piano, theory, and ear training through Uptown Funk — D Dorian, 7th chord inversions, voice leading & 4 funky comping patterns. What if you could learn piano, music theory, ear training, AND arranging — all from one song? In this lesson, Jason Zac uses Uptown Funk by Mark Ronson ft. Bruno Mars as a vehicle for all four goals at once. The twist? There's no piano in the song. We start by identifying the mode (D Dorian) and the two chords driving the whole track: D minor 7th and G dominant 7th. You'll learn minors in packs of four — Natural, Harmonic, Dorian and Melodic — so you'll instantly recognise the funky minor sound anywhere. Then we get into the piano work: all four inversions of Dm7 and G7, voice leading through common tones, and rhythm patterns including block chords, octave toggling bass, staccato funk articulation, and triplet (tresio) feels. Every shape connects to a usable groove. Next comes the song ingredient breakdown — vocal bass line on a 16th-note grid, Bruno Mars's vocal as the rhythmic engine, plus guitar comping, horn harmonies and the bass guitar. You'll learn to reverse-engineer a stereo file like a DAW, then translate those ingredients into FOUR funky right-hand piano patterns paired with a transcribed bass line. Ready to practise smarter? Apply for our courses or browse the full video library at nathanielschool.com. Like, share, subscribe and hit the bell for more song-based piano lessons! 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Compose with Dorian Mode & Chord Progressions - https://youtu.be/NCFZhIyG0Y8 🎯 Melodic Arpeggios: Accents & Progressions - https://youtu.be/DbL4DJnwIhA 🔑 Arpeggios, Inversions & Hand Independence - https://youtu.be/e9Xqa_ibLeg 💡 Chord Inversions, Rhythm & Hand Independence - https://youtu.be/PALjV-WuYJE 📂 Jazz Lessons - Chords, Standards & Exercises - https://www.youtube.com/playlist?list=PLrNNL05e9FT9ZCriHyNonJasffWWSCS_E ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:38 - 🎹 Intro — A New Kind of Piano Lesson 01:25 - The 4 Goals: Piano, Theory, Ear & Song Ingredients 05:45 - 🎵 Uptown Funk — The Two Chords: Dm7 & G7 06:58 - Minors in Packs of 4: Natural, Harmonic, Dorian, Melodic 08:01 - Root Position Block Chords 08:42 - First Inversion + Octave Toggling Bass 10:07 - Second Inversion + Staccato Funk Articulation 10:46 - Third Inversion + Tresio (Triplet) Rhythm 11:06 - LH Pattern with Root Position 11:44 - Octave toggle in LH with 1st Inversion 12:36 - Dotted notes on LH with 2nd Inversion 13:29 - Tresillo on LH with 3rd Inversion 14:56 - Song Ingredient Analysis — What Do You Hear? 18:37 - How to Map Out Song Ingredients 19:20 - Left Hand = Bass, Right Hand = Guitar 19:37 - 🥁 Funky Pattern 1: Block Chords on 1 & 3 with E’s 20:36 - Funky Pattern 2: More E’s and A’s 21:27 - Funky Pattern 3: Guitar Comping Pattern 22:34 - Funky Pattern 4: The Arpeggio Pattern 23:23 - Transcribing the Bass Line for Left Hand 24:48 - Nathaniel Metronome App Walkthrough 25:29 - Combining Bass Line + Right Hand Pulse 26:42 - Bass Line — 2 and 4 Hits 27:15 - Bass Line — Off-beats 27:40 - 🔥 Final Funky Right-Hand Rhythm 28:31 - Summary — 4 Goals, 4 Inversions, 4 Funky Patterns 30:19 - 🎹Outro & Course Info 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #UptownFunk #DDorian #FunkPiano

    Did you know the 'synth bass' in Uptown Funk is actually a vocal? 😮 This lesson flips the script — no piano in the song means unlimited creative freedom for pianists. Decode D Dorian, voice leading, and funky 16th-note rhythms in one shot. 🎹 Hit follow and check the full lesson in our bio — notation included! What if you could learn piano, music theory, ear training, AND arranging — all from one song? In this lesson, Jason Zac uses Uptown Funk by Mark Ronson ft. Bruno Mars as a vehicle for all four goals at once. The twist? There's no piano in the song. We start by identifying the mode (D Dorian) and the two chords driving the whole track: D minor 7th and G dominant 7th. You'll learn minors in packs of four — Natural, Harmonic, Dorian and Melodic — so you'll instantly recognise the funky minor sound anywhere. Then we get into the piano work: all four inversions of Dm7 and G7, voice leading through common tones, and rhythm patterns including block chords, octave toggling bass, staccato funk articulation, and triplet (tresio) feels. Every shape connects to a usable groove. Next comes the song ingredient breakdown — vocal bass line on a 16th-note grid, Bruno Mars's vocal as the rhythmic engine, plus guitar comping, horn harmonies and the bass guitar. You'll learn to reverse-engineer a stereo file like a DAW, then translate those ingredients into FOUR funky right-hand piano patterns paired with a transcribed bass line.

    Master harmony with this incredibly simple trick: play just 1 third interval in the right hand and 12 bass notes in the left to unlock almost every chord you will ever need on the piano. In this lesson, Jason Zac breaks down the theory and shows you how to apply it across all styles. Ever wondered how pro pianists build those rich, jazzy voicings that sound so much more interesting than basic triads? It all comes down to one tiny interval — the third. In this lesson, Jason breaks down a powerful bottom-up harmony approach that will change how you think about chord building forever. Using just two notes (A and C for the minor third, A and C# for the major third) anchored in your right hand, you'll learn how to harmonize them with 12 different bass notes underneath. The result? Triads, slash chords, seventh shells, jazz extensions, diminished and augmented voicings — all from the same two notes on top. We cover specific voicings like F major, Am/E, Dm7, D7sus4, G11, Bbmaj9, Bb minor major 9 (the James Bond chord), F# diminished, B7b9, A7/G Lydian, Eb half-diminished and many more. You'll also learn how to make 'clashing' bass notes actually work by thickening the harmony and using arpeggios instead of block chords. This lesson is perfect for intermediate pianists who want to break out of simple triads, understand jazz harmony, and finally figure out how to voice chords like the pros. Heavy theory content, practical demonstrations, and clear explanations throughout. If you want structured 1-on-1 instruction or our full video course library, links are in the pinned comment. Cheers! 🎹 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Piano Left Hand Harmony: 9th Chords, Walking Bass & Diatonic Thirds - https://youtu.be/YCJyoW0afP4 🎯 Piano Arpeggios over Wonderful World by Louis Armstrong - Extensions, Slash Chords & Jazz Voicings - https://youtu.be/Ule7gj-V9LI 🔑 BUILDING Chords & Progressions from the Major Scale (Easy Piano Music Theory) - https://youtu.be/7sv_vrg8XTg 💡 LEARN to Play ALL Major & Minor Piano Chords - TRIADS - https://youtu.be/PAEz0Y82P1s 📂 Jazz Lessons - Chords, Standards & Exercises - https://www.youtube.com/playlist?list=PLrNNL05e9FT9ZCriHyNonJasffWWSCS_E ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:43 - 🎹 Intro — What We’re Building & Why Thirds Matter 01:06 - Major Third vs Minor Third Explained 01:31 - How Thirds Build Every Chord 🎼 01:55 - Setup: Minor Third A, C in the Right Hand 04:36 - Building F Major from A, C 05:07 - A Minor over E — Slash Chord Voicing 05:43 - Open & Thin Sounds with Minor Third 06:08 - Seventh Shells — C as the Minor 7th of D 06:50 - D Minor 7, D7, and D7sus4 Voicings 07:53 - G in the Bass — Sus Chords & 11th Extensions 08:20 - Gospel-Style G11 Dominant Sound 09:12 - Bb in the Bass — Bb Major 9th Voicing 09:35 - 🎬 Bb Minor Major 7 — The James Bond Chord 10:42 - Diminished Chords — D# and F# Diminished 11:13 - The Diminished 7th Shape Explained 11:47 - Half Diminished vs Full Diminished 12:38 - Summary: 9 of 12 Bass Notes Covered 13:13 - Clashing Sounds — Making Them Work 13:32 - B in the Bass — Building B7b9 14:12 - G# and C# — Passing Chord Tricks 15:41 - 🎵 Transition to the Major Third (A, C#) 16:25 - F# Minor & F Augmented Voicings 16:50 - A over C# Slash Chord 16:55 - Major Third Seventh Shells — D Major 7 17:44 - B Minor 9 and B Dominant 9 18:05 - G in the Bass — A7/G Lydian Sound 18:20 - Lydian vs Lydian Dominant 18:50 - Eb Minor 7b5 — Half Diminished Voicing 19:35 - Bb as a Clashing Bass — Augmented Tricks 19:57 - Bb Minor Major 7 — Cinematic Dark Sound 🎬 20:22 - Open Sounds with Major Third 20:28 - G# Bass — Phrygian Flavor 20:54 - Arpeggiating Clashing Notes 21:48 - The Big Picture — Shells & Shapes 22:05 - Cantus App Mention 📱 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #ChordTheory #SlashChords #PianoChords

    Learn 5 left hand piano patterns across 5 keys using one harmonic concept — explore rock, blues, and folk grooves with Jason Zac. Ever wondered how one simple harmonic idea can sound like five completely different genres? In this lesson, Jason Zac walks you through five left hand piano patterns across five different keys — each one shifting the entire vibe of your music. We start with a power chord foundation and build outward using 6ths, 7ths, major and minor intervals. Because the third is left undefined, these voicings work in both major and minor contexts — giving you incredible harmonic flexibility for improvisation. You'll explore patterns in E, G#, Ab, F#, B, and A — moving through rock, blues, folk, and even experimental time signatures like 5/8 and 7/8. Each key gets its own rhythmic pattern with carefully placed accents and gaps that change the entire feel of your playing. A highlight of this lesson is Jason's tip on right hand improvisation: sing your melody first, then play it. This unlocks new rhythmic and melodic ideas that your fingers alone might never discover. We also touch on blues scales, Dorian mode, Mixolydian flavour, and how to mix the third for fresh harmonic colour. If you want structured, foundational piano training, check out our courses and apps at Nathaniel School of Music. See you in the next one! 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Compose with Dorian Mode & Chord Progressions - https://youtu.be/NCFZhIyG0Y8 🎯 Melodic Arpeggios: Accents & Progressions - https://youtu.be/DbL4DJnwIhA 🔑 Practice All Musical Intervals with Power Chords - https://youtu.be/RT1t9pudcO0 💡 Build Hand Independence: Melody & Chords - https://youtu.be/jy9lF061Aio 📂 Jazz Lessons - Chords, Standards & Exercises - https://www.youtube.com/playlist?list=PLrNNL05e9FT9ZCriHyNonJasffWWSCS_E ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:46 - Introduction & Lesson Overview 01:14 - 🎹 The Core Harmonic Concept 02:29 - E — Power Chord Foundation 03:49 - Pattern 1: Block Voicing with Snare Accents 04:22 - Adding the Melody in E 05:20 - Improvising with the E Blues Scale 06:38 - Ab — Major Flavour Patterns 09:42 - F# — Low Middle High Pattern 11:05 - Adding Speed Variations on F# 11:34 - 🎤 Sing First, Then Play — Improvisation Tip 12:37 - How Singing Unlocks New Rhythms 13:03 - B — Straight Rock Feel 14:11 - Dorian Mode and the Flat 6 15:44 - A — Switching to 3/4 Time 17:12 - Experimenting with 5/8 Time Signature 17:41 - Pushing into 7/8 Time 18:39 - 🎶 Recap: 5 Keys, 5 Patterns, Multiple Genres 19:24 - Final Wrap-Up 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #PowerChords #LeftHandPiano #PianoPatterns

    Learn to play triplets on piano with this melodic exercise — eighth note, quarter note & sextuplet triplets explained with fingering & licks. Triplets are the heartbeat of so much music — especially in Indian, sub-continental, and Eastern traditions — yet they're one of the most under-taught rhythms in Western piano curriculum. In this lesson, Jason Zac walks you through a complete triplet exercise built around a beautiful B minor melody. You'll learn the four key types of triplets: eighth note triplets (the standard), sextuplets (divide by six), quarter note triplets (the hemiola), and half note triplets. Jason demonstrates how to transition smoothly between semiquaver (divide-by-four) feel and triplet (divide-by-three) feel — a skill that instantly elevates your rhythmic vocabulary. The melodic exercise itself moves through B minor, D major over F#, and A major (with an added 4th), incorporating harmonized thirds, dominant chord licks, and tasteful Indian-style grace notes. You'll get detailed piano fingering for tricky passages across black notes, plus a simplified beginner version if the ornamental playing feels too advanced right now. This lesson is especially valuable if you're an Indian, Sri Lankan, Nepali, or other Eastern musician — or anyone who wants to internalise triplets beyond just counting "one-and-a, two-and-a." Jason also touches on konakol syllables (thakita) and how different cultures accent triplets uniquely. Hit subscribe, turn on the bell, and let us know in the comments which type of triplet you find hardest to feel! 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://www.nathanielschool.com/members-videos 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Melodic Arpeggios: Accent Patterns & Chords - https://youtu.be/DbL4DJnwIhA 🎯 Sixteenth Notes Exercise: Music Theory & Piano - https://youtu.be/0eYCe2Wtt8c 🔑 Syncopated Rhythms: Folk Melody for Beginners - https://youtu.be/6elW86pxMkI 💡 Piano Rhythm Lesson: Learn Semiquavers & Triplets - https://youtu.be/1NJKVwzfluI 📂 Minor Scales - Theory, Exercises & Compositions - https://www.youtube.com/playlist?list=PLrNNL05e9FT_8KkjOUBofqzyhbgGkROE- ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://www.nathanielschool.com/ 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://www.nathanielschool.com/free-tutorials ⏳ Chapter markers 00:00 - Performance 00:36 - Why Triplets Matter for Eastern Musicians 00:57 - What Are Triplets? Dividing the Beat by 3 01:21 - Cultural Flavours: Indian, Nepali & Sri Lankan Triplets 01:58 - The Challenge: Moving From Straight Time to Triplet World 03:47 - Type 1: The Regular Eighth Note Triplet 04:22 - Type 2: The Sextuplet (Divide by 6) 04:49 - Feeling the Difference Between Triplets & Sextuplets 06:54 - 🥁 Recap of All Four Triplet Types 08:23 - 🎼 The Main Melodic Exercise — Slow Walkthrough 13:07 - Indian Grace Notes & Ornamental Playing 13:41 - Second Phrase: Entering the Triplet World 14:46 - Third Phrase: Left & Right Hand Coordination 16:15 - Climbing to the Top: Octave Higher Phrase 18:06 - Simplified Fingering for Non-Advanced Players 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://geni.us/AbsenceYouTubeJZB #Triplets #PianoRhythm #PianoExercises

    Learn old-school ear training by singing intervals first and checking on piano. Build real relative pitch across major, minor & modal scales. Most musicians practise ear training the wrong way — by playing along with the piano or guitar while singing. That's mimicking, not hearing. In this lesson, Jason Zac from Nathaniel School of Music shares the old-school approach: sing the note FIRST, then play your instrument only to check the answer. We begin by getting Sa wired into your system using a G drone or tanpura, then work through the full major scale using Indian swaras (Sa Re Ga Ma Pa Dha Ni). You can also use movable-DO solfège or simple syllables like la-la or na-na — whatever keeps your brain untangled. From there we expand into Mixolydian, Dorian, natural minor, harmonic minor and melodic minor — each built by altering just a few intervals from the major scale. You'll practise singing close intervals first (Sa-Re-Sa), then widen the gap step by step (Sa-Ga-Sa, Sa-Ma-Sa, Sa-Pa-Sa) both above and below the tonic. This builds true relative pitch — the ability to hear how one note relates to another, the foundation of every melody. This isn't just an ear training drill. It's a 3D workout combining ear, theory and technique — because if you sing the right note but press the wrong key, you've still got work to do. Take breaks, stay hydrated, and try the exercise in different keys (find your preferred vocal key!). Once the order is comfortable, jumble the intervals to make it more musical and creative. If you'd like more singing-based ear training, sight singing or relative pitch lessons, drop a comment and let us know. Don't forget to subscribe and turn on the bell for new lessons every week. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 21 Modes: Major, Melodic & Harmonic Minor - https://youtu.be/-H3Mog6KUdw 🎯 Relative & Parallel Minor Scales - https://youtu.be/tlq5Y00jbyg 🔑 Ear Training: Singing All Intervals - https://youtu.be/hz4HMAFATTU 💡 Major Scale & Intervals: Theory + Notation - https://youtu.be/hh0nb1FJ_A0 📂 Minor Scales - Theory, Exercises & Compositions - https://www.youtube.com/playlist?list=PLrNNL05e9FT_8KkjOUBofqzyhbgGkROE- ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:59 - Welcome & Lesson Overview 🎤 01:29 - Why Playing Along Isn’t Real Ear Training 01:39 - Can You Sing a Note Without Your Instrument? 01:51 - Old-School Ear Training Explained 03:16 - Step 1: Getting Sa Into Your System 03:25 - Setting Up the G Drone or Tanpura 03:41 - Singing the Major Scale 🎶 04:34 - Switching to Mixolydian Mode 05:00 - Natural Minor Scale Singing 05:11 - Harmonic Minor & the Augmented 2nd 05:29 - Melodic Minor (Jazz Version) 06:04 - Rules of the Workout 06:16 - Why It’s Theory + Ear + Technique 06:47 - Swaras vs Solfège vs La-La Method 07:54 - What to Do When You’re Stuck on a Note 08:15 - Step 2: Singing Closest Interval First 08:36 - Sa-Re-Sa: The 2nd 08:45 - Sa-Ga-Sa: The 3rd 08:49 - Sa-Ma-Sa: The 4th 09:01 - Sa-Pa-Sa: The 5th 09:06 - Sa-Dha-Sa: The 6th 09:18 - Sa-Ni-Sa: The 7th 09:23 - Sa-Sa: The Octave Jump 09:32 - Descending the Major Scale 10:11 - Step 3: Going Below the Tonic ⬇️ 11:47 - Step 4: Mixolydian Variations 12:35 - Minor Scale Interval Drills 13:06 - Dorian vs Natural Minor Comparison 13:33 - Harmonic Minor Drill 14:02 - Melodic Minor Drill 14:13 - Jumbling the Notes for Real Practice 14:34 - Building Musicality & Composition 14:54 - Tips for Vocalists 15:00 - Relative Pitch vs Perfect Pitch 15:18 - Practising in Different Keys 15:25 - Find Your Preferred Vocal Key 15:40 - Closing Thoughts & Cheers 🎵 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #EarTraining #RelativePitch #SightSinging

    Learn how to spice up traditional pop chord progressions using passing chords, secondary dominants, slash chords & borrowed chords on piano. Ever noticed how pop songs from the 70s, 80s and 90s feel so much richer than modern pop? That's because composers back then used classical and old-school harmonic techniques that are often forgotten today. In this lesson, Jason Zac shows you how to bring that depth back into your own playing. Starting with a plain diatonic C major progression, you'll add colour between the tonic and the relative minor using line clichés (C – G/B – Am), chromatic walk-downs, secondary dominants like E7 resolving to Am, and secondary diminished chords for that harmonic-minor flavour. Then we look at movement from I to IV (Mixolydian motion, Bb/C to F), gospel-style slash chords over a tonic pedal, and the ii–V–I with suspended dominants and tritone substitutions (Db7 replacing G7). The lesson also covers borrowed chords from the parallel minor — including the epic cadence (bVI – bVII – I) and the minor iv chord (Fm6 / D half-diminished) — plus slash chords as passing chords to create smooth chromatic bass lines. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 00:44 - Introduction: Why Modern Pop Sounds Flat 🎹 01:28 - The Problem with One-Chord Songs 01:36 - Diatonic Chords in C Major Recap 01:54 - Adding 7ths to Diatonic Chords 02:32 - Part 1: Tonic to Relative Minor Journey 03:07 - Line Cliché Walk-Down: C – G/B – Am 🎼 04:09 - Chromatic Drop from C to A 04:25 - A Major & F/A Slash Chord Option 05:00 - Secondary Dominant: E7 to Am 05:59 - Bluesy Melodic Possibilities 07:30 - Secondary Diminished Chord to Am 08:02 - Harmonic Minor Flavour vs Blues Flavour 08:38 - Part 2: Moving from I to IV 09:24 - Mixolydian Motion: Bb/C to F 🎵 10:06 - Gm to F Subtle Approach 10:32 - Part 3: Staying on the Tonic Creatively (Gospel Slash Chords) 11:05 - Dm/C, F/C and Plagal Colour 11:55 - Using the Diminished Chord as a Pass 12:07 - Drone-Style Tonic Grooves 12:20 - Passing Chords as Rhythmic Tools 12:58 - Part 4: The ii–V–I Cadence 13:38 - Altering the ii Chord as a Dominant 14:34 - Part 5: Working with the V Chord 14:38 - Sus4 Suspensions on the Dominant 15:00 - C/G Slash Over Dominant Function 15:38 - F/G – The 11th Sound 🎶 15:55 - Tritone Substitution: Db7 for G7 17:05 - Part 6: Borrowed Chords from Minor 17:35 - Why This Cadence Works for Any Song 18:12 - The Minor iv Chord (Fm6) 18:35 - Half-Diminished ii Connection 20:15 - Part 7: Slash Chords as Passing Chords 22:21 - Why Slash Chord Resolution Feels Powerful 22:46 - Caution: Don’t Trust Google Chords ⚠️ ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #PassingChords #SecondaryDominants #PianoChords

    Learn 2 essential broken-chord piano patterns over a G major chord progression, with left-hand variations, swing feel and accompaniment tips. Jason Zac from Nathaniel School of Music breaks down two foundational broken-chord patterns that instantly upgrade your accompaniment, worked over a beautiful G major progression (G - C - Em - D - C/G - G) using smooth second-inversion voicings around middle C. The two core patterns, Out-Two-In-One and Out-In-Out-In, cover steady pumping feels and faster swing tempos, plus volume control, accenting, triplet variations and an extra top note for richer textures. On the left hand you'll go beyond simple roots with octaves, root-fifth toggles, passing bass notes and ghost notes, even singing chord tones while you accompany yourself. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 00:59 - Introduction to Broken Chords 🎹 01:35 - What Is a Broken Chord? 01:45 - Arpeggios vs Block Chords vs Broken Chords 02:56 - The G Major Chord Progression Overview 03:24 - Building the Chords Around Middle C 03:29 - Second Inversion of G Major 03:36 - Gliding to C Major with Common Tones 03:55 - E Minor Voicing 04:00 - D Major Quick Change 04:06 - C Over G Slash Chord 04:19 - Playing the Progression as Block Chords 04:48 - Finding a Safe Practice Tempo 05:02 - Tip: Think Ahead to the Next Chord 06:11 - Pattern 1: Out-Two-In-One Explained 🎼 06:26 - Counting in Eighth Notes 06:53 - Volume Control & Accenting Downbeats 07:55 - Applying Pattern 1 to the Full Progression 08:05 - Left Hand: Single Roots vs Octaves 08:43 - Bringing in a Melody on Top 09:32 - Pattern 2: Out-In-Out-In Explained 10:23 - Left Hand Octave Toggling Technique 11:00 - Comparing Pattern 1 and Pattern 2 11:10 - Adding Swing Feel with Triplets 11:45 - Emphasising Beats 2 and 4 12:04 - Advanced: Stacking Extra Top Notes 12:36 - Toggling Root and Fifth in the Left Hand 12:58 - Which Pattern Works Best for Swing? 13:15 - Songs That Fit These Patterns 13:28 - Singing Chord Tones While Playing 🎤 14:21 - Practising in E Major 14:40 - Quicker Chord Changes Within the Bar 15:11 - Left Hand Passing Bass Notes 15:30 - Adding Ghost Notes for Texture 16:01 - Broken Chords in 3/4 Time 16:23 - Left Hand Broken with Right Hand Melody 16:42 - Outro & Final Thoughts ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #BrokenChords #PianoAccompaniment #PianoLesson

    Learn the pendulum piano exercise: use just 3 notes to practise rhythmic groupings of 3, 4, 5 and 7 in B major. Jason Zac from Nathaniel School of Music breaks down the Pendulum Exercise, a simple but powerful concept that develops your rhythm, dynamics, finger independence and musical creativity all at once. You'll work in B major using just B, C# and D#, moving them in a pendulum-like pattern (1-2-3-2-1). The real learning happens when you change how you group these notes in sets of 3, 4, 5 and even 7 while keeping the same tempo and pulse, training your ear to feel rhythmic accents beyond standard time signatures. You'll also learn a 1-5-6-4 chord progression for the left hand (B - G#m - E - B/F# - F#) with quintal voicings, add2 shapes and smooth inversions, so the melody and harmony stay endlessly musical. This lesson is perfect for intermediate pianists, singers practising Carnatic or Hindustani swaras, and guitarists who want better rhythmic phrasing. It also introduces the free Pendulum App for practising keys, patterns and groupings with a built-in metronome. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 00:54 - What Is the Pendulum Concept? 02:14 - Choosing Your 3 Notes 02:43 - The Importance of Rhythm in This Lesson 03:20 - Groupings & Accents Explained 03:41 - What is a Musical Accent? 05:24 - For Singers: Carnatic & Hindustani Swaras 06:15 - Setting Up the B Major Scale (5 Sharps) 06:35 - Choosing Your Note Set: Triads, Quartal & Sus Voicings 07:00 - The 1-5-6-4 Chord Progression in B 07:33 - Left Hand Voicings: Power Chords & Fifths 08:20 - E Major as Sus2 and Add2 08:38 - B/F# Inversion & F# Voicing 09:28 - Right Hand: Quaver Groupings of 4 10:03 - Applying the Pattern Over the Progression 11:26 - Strengthening Pinky & Ring Fingers 11:45 - Staying Human in the Age of Robots 12:01 - Staying Human in the Age of Robots 12:39 - Minimum 2-Note Accents & Semiquaver Divisions 🎵 14:14 - Odd Groupings: Entering the World of 3 14:46 - Triplets vs True Pendulum Phrasing 15:46 - Recycling the Cycle: 12 Notes to Reset 16:41 - Same Pulse, Different Groupings ✨ 17:41 - Syncing Left Hand to the New Accents 18:09 - Groupings of 5: Where It Gets Tricky 19:54 - Groupings of 7: The Ultimate Challenge 20:34 - Creating Musical Illusions with One Pattern 21:08 - Triplets Trap: Avoiding Predictable Patterns 22:35 - Reimagining Songs in Pendulum Phrasing 23:00 - 3-3-2 Tresillo Groupings 23:13 - Taking It to Triads Over the Progression 23:38 - Andalusian Cadence in Groupings of 3 24:25 - Practising Away from the Piano 🪵 24:42 - Table-Top Finger Workouts 25:42 - Using the Pendulum App for Self-Study 26:05 - Using the Pendulum App for Self-Study ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #PendulumExercise #RhythmicGroupings #PianoExercise

    Learn to harmonize piano and voice using thirds in G harmonic minor. Build musicianship with tenor and alto harmony exercises. Learn the art of piano and voice harmony with this comprehensive lesson on coordinating melody and harmony between two instruments. You'll discover how to play piano melody while singing harmonic thirds, just like legendary groups such as The Beatles, ABBA, and Queen. This lesson focuses on G harmonic minor scale harmonization using tenor and alto thirds. You'll learn the difference between upper thirds (tenor) and lower thirds (alto), understanding why tenor harmony is traditionally played an octave below the soprano melody for optimal sound quality. Practice exercises include ascending and descending scale harmonization, where your right hand plays the melody while your voice sings the corresponding third intervals. The lesson covers both major and minor thirds within the harmonic minor structure, helping you develop crucial ear training and coordination skills. Advanced musicians will appreciate the theoretical foundation covering heptatonic scale harmonization and the practical application of these concepts in performance settings. This technique builds overall musicianship and prepares you for more complex vocal and instrumental arrangements. Subscribe for more music theory and piano technique lessons that develop your skills as a complete musician. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Y-Axis Music: All Intervals & Scales - https://youtu.be/g0GqL63sRr4 🎯 Compose with Dorian Mode Progressions - https://youtu.be/NCFZhIyG0Y8 🔑 Relative & Parallel Minor Scales - https://youtu.be/tlq5Y00jbyg 💡 Extend 7th Chords with Jazz Voicings - https://youtu.be/uuefI0cJcV4 📂 Minor Scales - Theory, Exercises & Compositions - https://www.youtube.com/playlist?list=PLrNNL05e9FT_8KkjOUBofqzyhbgGkROE- ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:23 - Introduction & Harmony Preview 🎵 01:12 - What Are Thirds in Music Theory? 01:31 - G Harmonic Minor Scale Breakdown 02:54 - Building Upper Thirds (Tenor) 03:51 - Building Lower Thirds (Alto) 04:44 - Why Tenor Goes Below Soprano 06:09 - Beatles & ABBA Harmony Examples 08:24 - Scale Harmonization Exercise 09:11 - Voice Harmony Practice 11:07 - Checking Your Thirds 14:25 - A Major Scale Alternative 16:06 - Main Exercise Introduction 16:39 - Exercise: Melody First 17:10 - Exercise: Left Hand Chords 17:27 - Exercise: Adding Harmony 19:25 - Rhythm Variations 20:00 - Practice Tips for Travellers 20:06 Recording Your Own Backing Tracks 20:30 - Summary 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #VocalHarmony #SingAndPlay #HarmonicMinor

    Learn to play and count odd time signatures like 5/4, 7/4 and 10/4. Jason breaks down 3 practical methods to feel complex rhythms naturally. Jason demonstrates the difference between simply counting beats versus truly feeling musical cycles. You'll learn beat subdivision techniques, call-and-response phrasing, and accent grouping methods that make odd time signatures as comfortable as 4/4 time. Practice along with examples from Dave Brubeck's "Take Five" and the Mission Impossible theme. Discover why thinking in "cycle counts" rather than traditional time signatures helps you compose and improvise more musically, and learn the practical difference between 5/4, 5/8 and 5/16 time signatures. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 00:50 - Introduction & Musical Preview 01:05 - Why Time Signatures Can Be Confusing 02:47 - The Cycle Count Concept Explained 03:53 - Practical Composing Tips 06:55 - Daily Riff Practice Resources 08:29 - Method 1: Beat Division & Subdivision 08:52 - Dividing Beats by 2, 3, and 4 10:01 - 10-Beat Cycle Breakdown 10-Beat Cycle Breakdown 10:06 - A Major Scale in 5-Beat Cycles 10:28 - Scale Drill Practice Exercise 10:52 - Adding Harmony to Odd Time 12:33 - Playing on Subdivisions (E’s and A’s) 16:17 - Straight vs Swing Feel in Odd Time 17:45 - Understanding 5/4 vs 5/8 vs 5/16 19:13 - Method 2: Question & Answer Structure 19:49 - Method 2: Accent Grouping & Phrasing 20:38 - Grouping Large Numbers (10 as 3+3+4) 21:44 - Using Rhythm Syllables (Takita, Takajunu) 21:53 - Using Our Rhythm App 24:35 - Summary: 3 Methods Recap 25:05 - Pink Floyd 7/4 Example Analysis ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #OddTimeSignatures #OddMeter #PianoRhythm

    Flip the traditional roles — put a captivating bass melody in the left hand and let the right hand drive the rhythm. Jason Zac from Nathaniel School of Music shows you how to flip the usual piano roles by creating compelling bass melodies in the left hand while the right hand provides rhythmic support, breaking down stepwise and leapwise melodic motion. You'll learn the differences between upper-register and bass-register melody construction, using D minor and D hybrid minor scales, and when to use stepwise motion versus larger leaps for maximum impact. The lesson covers three right-hand rhythm patterns — pulse, tresillo and 3+5 accents — while the left hand develops from simple chord roots to melodic lines with octaves, fifths and thirds, moving through progressions like D minor, G minor 6th, E minor 7b5 and A7 variations. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 00:44 - Introduction & Unconventional Bass Melody Preview 🎵 01:05 - Why Bass Register Melody is Different 01:19 - Stepwise vs Leapwise Motion Explained 02:15 - The Role of Rhythm in Bass Melody 02:26 - Right Hand vs Left Hand Role Reversal 04:51 - D Hybrid Minor Scale Introduction 05:26 - Harmonic Minor vs Natural Minor Differences 06:23 - Chord Progression Breakdown: D Minor Foundation 06:36 - G Minor 6th Chord Explanation 06:52 - Right Hand Pattern 1: Pulse Rhythm 07:02 Right Hand Pattern 2: Tresillo Technique 07:39 - E Minor 7th Flat 5 Chord Theory 07:53 - A7 Resolution Back to D Minor 09:20 - Right Hand Pattern 3: 3+5 Accent Combo 11:04 - Left Hand Basics: Chord Roots with Octaves 14:18 - LH Pattern 2 14:50 - Leapwise Motion Bass Line Construction 15:35 - Stepwise Motion Bass Alternatives 16:28 - Chord Tone Selection Strategy 17:48 - Dotted Rhythm Feel Modifications 18:52 - Accessing Off-Beat Rhythms 20:14 - Creative Passing Notes Technique 21:28 - Perforamce Melody Breakdown 22:35 - Bringing Both Hands Together 24:07 - Complete Melody Performance - Slow Tempo 25:16 - Role Reversal Concept Summary 25:30 - Engine vs Driver Hand Philosophy 25:36 Rhythm Modifications and Feel Changes 26:38 - Composed Melody Final Performance ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🥁 All our lessons on Rhythm (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT85tF6cGvZK6jc5u6yZg5uU 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #BassMelody #LeftHandPiano #PianoTutorial

    Piano Tips: Nail 5/8 Time with These Exercises. This 5/8 time signature piano lesson teaches odd-meter piano rhythm, 2+3 and 3+2 accents, diatonic thirds, hand independence, and rhythmic patterns in E major for intermediate and advanced pianists. Learn advanced 5/8 time signature piano techniques with diatonic thirds, hand independence and rhythmic accents in the E major scale. Jason Zac from Nathaniel School of Music combines complex rhythm work with diatonic thirds in E major, creating the perfect challenge for intermediate to advanced players. You'll learn to count and feel 5/8 time while developing hand independence: the right hand works through melodic patterns with strategic accents, while the left hand builds a harmonic foundation using diatonic thirds across the E major scale. The lesson covers interval recognition, rhythmic groupings (2+3 vs 3+2) and harmonic modulation, while building finger strength and flexibility through octave stretches and coordinated hand movements. Perfect for pianists ready to tackle odd time signatures and expand their rhythmic vocabulary. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #OddTimeSignatures #PianoRhythm #PianoExercises

    Learn to play two original folk melodies with off-beat rhythms, swing feel and professional ornamentation techniques for modern piano playing. Jason Zac from Nathaniel School of Music teaches two original compositions in G major that focus on off-beat playing, swing rhythms and the subdivisions that make folk music so engaging. You'll learn the essential skills for conquering tied notes, rhythmic anticipation, and playing on the 'ands' and 'ees' of each beat — crucial for modern pop, folk and contemporary styles where notes don't always fall predictably on the downbeat. You'll explore multiple ornamentation strategies including thickening melodies with roots and fifths, adding grace notes and turns, incorporating thirds for harmonic support, and using rhythmic embellishments. The lesson builds progressively from simple versions to fully ornamented arrangements. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 01:12 - Introduction & Two Folk Melody Previews 🎵 01:36 - G Major Scale Setup & Chord Progressions 03:55 - Melody 1: Basic Version with Simple Pulse 04:22 - Tranpsing melody to other scale 04:49 - Understanding Swing vs Straight Rhythms 05:11 - Breaking Down Off-Beat Subdivisions 05:50 - Simplified Melody 1 Practice Version 06:32 - Adding Rhythmic Complexity Step by Step 07:22 - Melody 1: Full Original Version 07:59 - Left Hand Chord Variations & Bass Lines 08:36 - Creative Left Hand Arrangements 09:06 - Moving Chords to Middle C Range 09:38 - Melody 2: Introduction with Pickup Notes 10:10 - Melody 2: Part B Introduction 11:03 - Pick-up Notes & Syncopation 11:24 - Ornamentation Strategy 1: Root & Fifth 12:15 - Thickening Melody Techniques 13:51 - Grace Notes & Turn Ornaments 🎶 14:26 - Adding Thirds for Harmony 15:23 - Celtic & Indian Turn Variations 17:04 - Triplet Feel Integration 17:30 - Left Hand Thirds & Chord Roots 18:45 - Becoming a Chameleon Player 19:31 - Piano vs Other Instruments 20:10 - Course Information & Resources ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #FolkPiano #Syncopation #PianoOrnaments

    Learn piano basslines with 10 grooves and rhythm patterns. This piano bassline tutorial shows how to turn an F minor pentatonic pattern into disco, salsa, funk, and other grooves using quavers, sixteenth notes, triplets, and a steady right-hand chord pulse. Learn to create multiple groovy F minor pentatonic bassline variations across quavers, sixteenth notes and triplets, with a steady right-hand pulse of chords. Jason Zac from Nathaniel School of Music unlocks the secrets of creating groovy, danceable basslines on piano. You'll learn why dividing beats into more subdivisions while playing less creates the perfect groove that makes people want to move. You'll discover 10+ distinct rhythm variations of the same bassline, each transformed by a different time feel — from simple quavers to complex sixteenth-note patterns and even triplets. You'll explore the essential ingredients of a compelling bassline: root, octave, fifth and minor third, plus embellishment notes that add flavour without overwhelming the groove. You'll also develop rock-solid timing with pulse chords in the right hand, and learn cluster chords, floating thirds and melodic licks that complement your bassline. The lesson emphasises body movement and internal pulse over metronome dependence. 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 00:00 - Performance 00:46 - Introduction & Bassline Preview 🎹 01:35 - What the Right Hand can do? 02:54 - Heptatonic Scales - Natural Minor & Dorian 03:28 - Essential Ingredients of Groovy Basslines 05:18 - Essential Ingredients of Groovy Basslines 06:03 - The Groove Formula: Divide More, Play Less 06:42 - Foundational Notes: Root, Octave & Fifth 07:49 - Adding Minor Third & Embellishment Notes 09:21 - Right Hand Pulse Chord Options 11:26 - Cluster Chords Technique 12:59 - Preparing the Right Hand 14:04 - Pattern 1: Simple Quaver Bassline 15:45 - Pattern 2: Displaced Third Variation 16:59 - Pattern 3: Introducing Sixteenth Notes 18:12 - Pattern 4: Advanced 16th Note Rhythm 19:02 - Pattern 5: Subdivision Variation 19:56 - Son Clave Rhythm Application 🥁 20:16 - Tresillo Pattern Breakdown 22:31 - Salsa-Style Bassline Variation 23:50 - Triplet Division Concepts ============================= 📹 Our Video Courses (Everything for Life Bundle) ➡️ https://learn-music.nathanielschool.com/ 🎹 Piano Courses & Private Lessons ➡️ https://piano.nathanielschool.com ============================= ▶️ Related Lessons & Playlists 🎵 Music Theory lessons ➡️ https://geni.us/PianoTheory 🎹 All our lessons on Chord Inversions (Playlist) ➡️ https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 👂 Ear Training lessons ➡️ https://geni.us/EarTraining ============================= 🎓 Learn Music with Nathaniel School of Music & Jason Zac ➡️ https://nathanielschool.com 📚 All our YouTube lessons (1000+) by skill level, topic & genre ➡️ https://learning-portal.nathanielschool.com ============================= 💰 Donate on PayPal ➡️ https://geni.us/DonatePayPal 📸 Instagram ➡️ https://instagram.com/jasonzac 📞 Call +91 98454 65411 · 💬 WhatsApp chat +91 77604 56847 📧 Customised & Private Classes ➡️ music@nathanielschool.com 🎧 Listen to Jason Zac Music ➡️ https://riffs.jasonzacmusic.com/ #PianoBasslines #PianoGroove #RhythmPatterns

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