Voice Leading

The third and the seventh are all you need. In this jazz piano tutorial we build the shell voicing for a dominant 7th chord, discover that those two notes are a tritone — so the same two keys give you TWO chords — and take the whole thing round the circle of fifths with the Charleston rhythm. Most of us learn chords the regular way — all four notes, every inversion. Here we do the opposite. A shell is a smaller set of notes: you keep the ones that matter and leave the rest out. For a dominant 7th that is the 3rd and the flat 7th. The bass player has the root, and the fifth does nothing. C7 is C E G Bb. Drop the C and the G and you are left with E and Bb — and those two notes are a tritone, the one interval that turns into itself when you flip it. So the same two keys are also the 3rd and the flat 7th of F#7. Twelve dominant 7th chords collapse into six tritone pairs, and we practise them as pairs, counter-clockwise round the circle of fifths, with the two shells 3–b7 and b7–3 sliding down chromatically while the left hand takes the roots. Then the groove. Once the shell is in your hand the tensions are one step away — b9, 9, #9, even a #5 — and you can play licks over it (you will hear where I stole one from). We put the Charleston rhythm on the shell, then the displaced Charleston, then both at once, and finish with a hand-independence ladder: the left hand holds the Charleston while the right climbs from semibreves to minims to crotchets to the 2 and the 4 — plus the cascade, and the snaps and claps that take your hands off the keys and teach you to come back in. Get your keyboard out and play along. Every exercise transfers to any key. 🎹 LEARN WITH US Live online lessons, Bangalore centres and the Everything For Life bundle: https://nathanielschool.com Piano, guitar or vocals, any level — message us on WhatsApp and our course advisor will get back to you: https://wa.me/917760456847 ▶️ WATCH NEXT 🎹 Jazz Piano Chords: The Voicing Exercise That Teaches Every 7th Chord and Its Tritone Sub — https://youtu.be/sHLV3iA-56s 🎹 10 Piano Exercises on ONE Chord (E7) — Dominant Seventh Chords Explained — https://youtu.be/22fTJTAE9WI 🎶 The Subdivision Exercise That Makes One Chord Groove — https://youtu.be/v2wMT78ZAlg 🗂️ Chord Voicing & Inversions — https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 📚 Making Chord Practice FUN with Circle of Fifths — https://www.youtube.com/playlist?list=PLrNNL05e9FT-D6G1jDe18TFflopjjnxRG 🎶 Hand Independence — https://www.youtube.com/playlist?list=PLrNNL05e9FT-On4vodpAoZqTlWDCS5jv7 🛠 FREE PRACTICE TOOLS The Jazz Harmony Lab — dominant cycles, ii–V–I and altered voicings, free in the browser: https://jazz.nathanielschool.com Master Key — the diminished seventh laboratory, for dominant 7ths and tritone substitution: https://masterkey.nathanielschool.com Groove Metronome — for the Charleston and the displaced Charleston: https://metronome.nathanielschool.com 25+ free browser tools for rhythm, chords, inversions, notation and ear training: https://apps.nathanielschool.com 📚 All our YouTube lessons (1000+) sorted by level, topic and genre: https://free-music-lessons.nathanielschool.com ⏱ CHAPTERS 00:00 The regular way: four notes, four inversions 01:14 What a shell is 02:04 The dominant 7th: 1, 3, 5, flat 7 03:20 Why shells: pick and choose 04:41 Building the C7 shell 05:40 The 3rd and the flat 7th are a tritone 06:46 The first drill: semibreves over minims 07:15 Two shells: 3–b7 and b7–3 08:13 One shell, two chords: C7 = F#7 09:15 The six tritone pairs 10:40 Round the circle of fifths, counter-clockwise 12:58 Improvising on the shell 13:21 One step away: b9, 9, #9 and #5 15:04 Licks on the shell 16:01 The Charleston rhythm 16:54 The other Charleston: displaced 17:15 Both Charlestons together 18:27 The ladder: left hand holds, right hand climbs 19:33 The goal: right hand on the 2 and the 4 20:58 The cascade 22:15 Snap on the 2 and the 4 23:27 Clap at the four, then recover 24:46 In a nutshell 25:21 The app, the notes and the study guide 25:55 Thanks for watching 💛 SUPPORT THESE FREE LESSONS PayPal: https://paypal.me/jasonzac?locale.x=en_GB&country.x=IN UPI: jasonzac-1@okhdfcbank (Jason Zac) 📩 TALK TO US WhatsApp: https://wa.me/917760456847 Instagram: https://instagram.com/jasonzac · https://instagram.com/nathanielschool #ShellVoicings #TritoneSubstitution #JazzPiano

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Shell voicings are the two notes that actually describe a chord — the 3rd and the 7th — and in this jazz piano tutorial we run them through one long 2-5-1 chord progression until every 7th chord type and its tritone substitute is under your hands. The right hand plays two notes and nothing else. The left hand takes the root and the fifth. That split is how most working pianists actually voice a 7th chord, and it leaves your right hand free to improvise. The progression is deliberately long: Am7, D7, Gmaj7, Cmaj7, F#m7b5, B7, Em7, E7 — a major 2-5-1 running straight into the relative minor's 2-5-1, then a secondary dominant to send you round again. Every chord falls a fifth, so one finger stays put and the other steps down a semitone or a tone. Play it twice and you will have played both arrangements of all eight chords — the complete shell vocabulary of the key — because the hand keeps descending into the other shape by itself. Then we add the things that make it music: singing the roots, the chord names and the shells; five rhythms including the Charleston and its displaced cousin; and tritone substitution, where the same right-hand shape serves two different dominants because the 7th of one is the 3rd of the other. 📘 STUDY GUIDE + PRACTICE APP The Companion has the whole exercise notated, the crown-note table, the five rhythm grids and a practice log for all twelve keys. The practice app plays it back at any tempo with a metronome, in every key, with the regular dominants or the tritone substitutions. 🎹 LEARN WITH US Live online lessons, Bangalore centres and the Everything For Life bundle: https://nathanielschool.com Piano, guitar or vocals, any level — message us on WhatsApp and our course advisor will get back to you: https://wa.me/917760456847 🛠 FREE PRACTICE TOOLS The Jazz Harmony Lab — major and minor ii–V–I, dominant cycles and altered voicings, free in the browser: https://jazz.nathanielschool.com Master Key — the diminished seventh laboratory, for dominant 7ths and tritone substitution: https://masterkey.nathanielschool.com Groove Metronome — for the Charleston and the five rhythms in this lesson: https://metronome.nathanielschool.com 25+ free browser tools for rhythm, chords, inversions, notation and ear training: https://apps.nathanielschool.com ⏱ CHAPTERS 00:00 Performance 00:10 The Eight-Chord Practice Progression 00:56 G Major and E Minor Key Signature 02:44 Right-Hand Shells and Left-Hand Support 04:17 Building an Am7 Open Voicing 04:38 Building a D7 Open Voicing 05:58 Connecting Am7 to D7 06:20 Circle-of-Fifths Voice Leading 06:50 Major ii–V–I: Am7–D7–Gmaj7 09:08 Minor ii–V–i in E Minor 09:34 Lap 2: Switching to 7–3 Shapes 10:10 E7 as a Secondary Dominant 11:02 Lap 1: Descending 3–7 Shapes 11:39 Singing Chord Names and Chord Tones 12:39 Singing the Right-Hand Shells 13:03 Singing the Chord Roots 🎧 13:42 Writing and Visualising Inversions 14:09 One-Finger Common-Tone Exercise 15:49 Rhythm 1: Blocks and Alternating Fifths 16:07 Rhythm 2: Cascading the Chord Tones 17:06 Rhythm 3: Salsa-Like Syncopation 18:46 Charleston Rhythm Pattern 19:03 Swinging the Shell Voicings 20:17 Broken-Chord Ensemble Rhythm 21:56 Tritone Substitution Explained 24:50 Final Practice Plan 💛 SUPPORT THESE FREE LESSONS PayPal: https://paypal.me/jasonzac?locale.x=en_GB&country.x=IN UPI: jasonzac-1@okhdfcbank (Jason Zac) 📩 TALK TO US WhatsApp: https://wa.me/917760456847 Instagram: https://instagram.com/jasonzac · https://instagram.com/nathanielschool #ShellVoicings #TritoneSubstitution #JazzPiano

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Learn piano, theory, and ear training through Uptown Funk — D Dorian, 7th chord inversions, voice leading & 4 funky comping patterns. What if you could learn piano, music theory, ear training, AND arranging — all from one song? In this lesson, Jason Zac uses Uptown Funk by Mark Ronson ft. Bruno Mars as a vehicle for all four goals at once. The twist? There's no piano in the song. We start by identifying the mode (D Dorian) and the two chords driving the whole track: D minor 7th and G dominant 7th. You'll learn minors in packs of four — Natural, Harmonic, Dorian and Melodic — so you'll instantly recognise the funky minor sound anywhere. Then we get into the piano work: all four inversions of Dm7 and G7, voice leading through common tones, and rhythm patterns including block chords, octave toggling bass, staccato funk articulation, and triplet (tresio) feels. Every shape connects to a usable groove. Next comes the song ingredient breakdown — vocal bass line on a 16th-note grid, Bruno Mars's vocal as the rhythmic engine, plus guitar comping, horn harmonies and the bass guitar. You'll learn to reverse-engineer a stereo file like a DAW, then translate those ingredients into FOUR funky right-hand piano patterns paired with a transcribed bass line. Ready to practise smarter? Apply for our courses or browse the full video library at nathanielschool.com. Like, share, subscribe and hit the bell for more song-based piano lessons! 🏫 Courses, Workshops or Private lessons ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://learn-music.nathanielschool.com/ 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎬 Compose with Dorian Mode & Chord Progressions - https://youtu.be/NCFZhIyG0Y8 🎯 Melodic Arpeggios: Accents & Progressions - https://youtu.be/DbL4DJnwIhA 🔑 Arpeggios, Inversions & Hand Independence - https://youtu.be/e9Xqa_ibLeg 💡 Chord Inversions, Rhythm & Hand Independence - https://youtu.be/PALjV-WuYJE 📂 Jazz Lessons - Chords, Standards & Exercises - https://www.youtube.com/playlist?list=PLrNNL05e9FT9ZCriHyNonJasffWWSCS_E ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://nathanielschool.com 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://free-music-lessons.nathanielschool.com ⏳ Chapter markers 00:00 - Performance 00:38 - 🎹 Intro — A New Kind of Piano Lesson 01:25 - The 4 Goals: Piano, Theory, Ear & Song Ingredients 05:45 - 🎵 Uptown Funk — The Two Chords: Dm7 & G7 06:58 - Minors in Packs of 4: Natural, Harmonic, Dorian, Melodic 08:01 - Root Position Block Chords 08:42 - First Inversion + Octave Toggling Bass 10:07 - Second Inversion + Staccato Funk Articulation 10:46 - Third Inversion + Tresio (Triplet) Rhythm 11:06 - LH Pattern with Root Position 11:44 - Octave toggle in LH with 1st Inversion 12:36 - Dotted notes on LH with 2nd Inversion 13:29 - Tresillo on LH with 3rd Inversion 14:56 - Song Ingredient Analysis — What Do You Hear? 18:37 - How to Map Out Song Ingredients 19:20 - Left Hand = Bass, Right Hand = Guitar 19:37 - 🥁 Funky Pattern 1: Block Chords on 1 & 3 with E’s 20:36 - Funky Pattern 2: More E’s and A’s 21:27 - Funky Pattern 3: Guitar Comping Pattern 22:34 - Funky Pattern 4: The Arpeggio Pattern 23:23 - Transcribing the Bass Line for Left Hand 24:48 - Nathaniel Metronome App Walkthrough 25:29 - Combining Bass Line + Right Hand Pulse 26:42 - Bass Line — 2 and 4 Hits 27:15 - Bass Line — Off-beats 27:40 - 🔥 Final Funky Right-Hand Rhythm 28:31 - Summary — 4 Goals, 4 Inversions, 4 Funky Patterns 30:19 - 🎹Outro & Course Info 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 +917760456847 (Mobile & WhatsApp) 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://riffs.jasonzacmusic.com/ #UptownFunk #DDorian #FunkPiano

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Did you know the 'synth bass' in Uptown Funk is actually a vocal? 😮 This lesson flips the script — no piano in the song means unlimited creative freedom for pianists. Decode D Dorian, voice leading, and funky 16th-note rhythms in one shot. 🎹 Hit follow and check the full lesson in our bio — notation included! What if you could learn piano, music theory, ear training, AND arranging — all from one song? In this lesson, Jason Zac uses Uptown Funk by Mark Ronson ft. Bruno Mars as a vehicle for all four goals at once. The twist? There's no piano in the song. We start by identifying the mode (D Dorian) and the two chords driving the whole track: D minor 7th and G dominant 7th. You'll learn minors in packs of four — Natural, Harmonic, Dorian and Melodic — so you'll instantly recognise the funky minor sound anywhere. Then we get into the piano work: all four inversions of Dm7 and G7, voice leading through common tones, and rhythm patterns including block chords, octave toggling bass, staccato funk articulation, and triplet (tresio) feels. Every shape connects to a usable groove. Next comes the song ingredient breakdown — vocal bass line on a 16th-note grid, Bruno Mars's vocal as the rhythmic engine, plus guitar comping, horn harmonies and the bass guitar. You'll learn to reverse-engineer a stereo file like a DAW, then translate those ingredients into FOUR funky right-hand piano patterns paired with a transcribed bass line.

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Learn to harmonise one note with every possible chord, scale, and exotic voicing. In this advanced tutorial, we explore the art of harmonizing a single note (F#/Gb) with countless chord possibilities. Starting with an Ab major framework, Jason Zac demonstrates how to create harmonies using triads, seventh chords, extensions, slash chords, relative major-minor relationships, and exotic voicings. You'll learn how to make any note sound good with every other note in music, including challenging intervals like minor seconds (F to F#) and tritones. Discover techniques for using dominant seventh chords with alterations, augmented chords, diminished voicings, and modal interchange to create mysterious, calm, tense, or cinematic sounds. Topics covered include chord trees, voice leading, inversions, relative chord relationships, altered extensions (b9, #5, b5, #11), and how to think beyond traditional scales for composition and reharmonization. Perfect for composers, arrangers, pianists, and anyone looking to expand their harmonic vocabulary beyond basic progressions. Join our doubt clearing portal and explore categorised lessons at https://nathanielschool.com/ ============================= 📹 Our Video Courses — Everything for Life Bundle A complete library of structured lessons across Piano, Theory, Ear Training and more - https://learn-music.nathanielschool.com 🏡 Explore Our YouTube Channel Watch detailed tutorials, performances and guided practice sessions - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🤘🏽 Riff Reference - https://youtu.be/8VRItCkN1bc 🎹 COMPOSE a Piano Melody - https://free-music-lessons.nathanielschool.com/video/how-to-compose-a-better-piano-melody-part-1 🎼 Basic Reharmonization - https://free-music-lessons.nathanielschool.com/video/chord-melody-in-one-hand-improvise-reharmonize-on-piano-beginner-friendly ============================= 🎓 Learn Music With Nathaniel School of Music Join our lessons, workshops and guided programs across instruments and levels - https://www.nathanielschool.com/ 📚 All Our YouTube Lessons in One Place Browse 1000+ tutorials arranged by level, topic and genre for easy learning - https://free-music-lessons.nathanielschool.com ⏳ 00:00 - Performance 00:46 - How to Harmonize a Single Note Overview 01:25 - Triads in A♭ Major (Diatonic Options) 01:58 - Targeting One Note: F# (G♭) for Entire Lesson 03:11 - The Challenge: Making F# Sound Good with Everything 03:37 - What Does “Good” Even Mean? (Subjective Goals) 04:44 - The Recurring Melody & Emphasizing F# 05:34 - Starting with A♭7 (F# as ♭7) 05:58 - Why A♭ Dominant 7 Works Best 06:36 - Harmonizing F# as the Root 07:25 - F# Major vs F# Minor (Mixolydian vs Cinematic) 08:04 - F# Minor over A♭ (Spanish Flavor) 08:28 - F# Major with Different Bass Notes 08:53 - Slash Chords: F#/A# (Third in Bass) 09:12 - F#/D♭ - More Chaotic Voice Leading 09:52 - Applying to F# Minor with Different Bass 10:03 - Extensions: F# Dominant, F#maj7 10:40 - Relative Chord Relationships 11:11 - F#maj6 = E♭m7 (Inversions) 11:28 - F# Minor 6 & Its Relative Major 12:10 - F# with Other Triads (Not as Root) 12:26 - B Major & B Minor (F# as Fifth) 12:56 - D Major & E♭ Minor (F# as Third) 13:45 - 7th Chord Options 14:01 - F# as Major 7th: G Major 7 14:16 - Gmaj7♭5 (Lydian Flavor) 15:16 - G Augmented Major 7 15:26 - F# as ♭7: A♭7 (Already Covered) 15:45 - F# as Diminished 7th: A Diminished 7 16:20 - Making F Natural Work with F# 16:55 - F7♭9♯5 (Altered Dominant) 17:54 - Making E Work with F# (Major 2nd) 18:51 - Making the Tritone Work: C with F# 19:16 - Not Confined to One Scale 19:59 - Reharmonization Example: Landing on E 21:05 - Thanks & Final Thoughts 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 +917760456847 (Mobile & WhatsApp) 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://geni.us/AbsenceYouTubeJZB #Reharmonization #PianoHarmony #MusicTheory

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Learn to Transpose Any Song in “Real-Time”: It Came Upon a Midnight Clear (Christmas Carol) | Piano Theory Transpose It Came Upon a Midnight Clear to all 12 keys using intervals, ear training & theory 🎄 Explore Our Complete Christmas Collection - Visit our Christmas website where all tutorials are organized by skill level and genre for easy navigation. 🎹 Join Our Christmas Workshops This Season - We're running special workshops focused on ear training, music theory, transcription, and Christmas repertoire. Perfect for students and teachers who want to elevate their musicality during the holiday season. 🎓 Ready for Structured Learning in the New Year? - If you want to build a comprehensive music education tailored to your skill level, consider enrolling in a semester-based course at Nathaniel School of Music. In this comprehensive piano tutorial, learn how to transpose "It Came Upon a Midnight Clear"—and really, any song—to all 12 keys without relying on sheet music or chord charts. The key to successful transposition is understanding three things: intervals (, chord function , and how each chord relates to the previous one. When you internalize these concepts, you can transpose in real-time at the piano without rewriting anything.We break down the entire piece systematically: The AABA song structure The secondary dominants (V/V progressions) that add harmonic color. The beautiful modulation to the relative minor in the B section, featuring melodic minor flavors with that characteristic raised 6th and 7th. But here's what makes this truly special: every key feels different and inspires different ideas. A♭ major might sound sophisticated and hymn-like. C major feels bright and folk-inspired. E♭ major might swing naturally. A major could sound laid-back. The piano itself guides you—when you don't know a scale perfectly, you discover survival chords like diminished sevenths, you create your own passing harmonies, and you develop unique voicings that wouldn't happen if everything were pre-written. We also explore practical voicing options: 6/9 chords on the tonic, slash chords (like IV/I), proper alto and tenor voice leading for that choral cadence feeling (sus4 resolving to 3, and 6 resolving to 5), and how to color your harmonies with 9ths, 13ths, and major 7ths. Don't forget to subscribe and hit the bell icon for regular notifications! Wishing you and your family a happy Christmas and prosperous New Year! 🔔✨ ============================= 📹 Our Video Courses — Everything for Life Bundle A complete library of structured lessons across Piano, Theory, Ear Training and more - https://www.nathanielschool.com/members-videos 🏡 Explore Our YouTube Channel Watch detailed tutorials, performances and guided practice sessions - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists ✨ My Favourite Things - https://youtu.be/u7lcIy50J-8 🎅 Christmas Piano & Theory Tutorials - https://www.youtube.com/playlist?list=PLrNNL05e9FT9HU-N5Jy2d9gNoBATIr21r 🎄 Christmas Chronicles - https://www.youtube.com/playlist?list=PLrNNL05e9FT_Wcia3ov9oHx9jDPtjdqBC ============================= 🎓 Learn Music With Nathaniel School of Music Join our lessons, workshops and guided programs across instruments and levels - https://www.nathanielschool.com/ 📚 All Our YouTube Lessons in One Place Browse 1000+ tutorials arranged by level, topic and genre for easy learning - https://free-music-lessons.nathanielschool.com ⏳ 00:00 - Performance 01:17 - Introduction 05:02 - A Major vs A♭ Major - Different Flavors 06:18 - Tonic Chord Voicings (6/9, Quintal, Major 9th) 07:20 - Resolution Note: A♭ Analysis 08:46 - Applying to C Major 09:32 - Same Process: D Major or E♭ Major 10:10 - Moving to Next Cycle 10:55 - Using 4 Major for Variation 12:02 - Why Use m7 Instead of Secondary Dominant? 12:55 - Applying to C Major 13:41 - A♭ Maj “From Angels Bending” Resolution 16:14 - Complete Section with Chord Degrees 18:17 - “Peace on Earth” Section on E♭ Major or B Major 19:51 - “Peace on Earth” Section - A♭ Major 21:31 - Understanding Melodic Minor Scale - C7 , C Mixolydian ♭6 22:48 - Modal Modulation Explained 23:39 - Final Cadence with Suspension 25:10 - AABA Song Structure Analysis 26:12 - Transposing to C Major (Full Piece) 27:29 - A Major Demonstration 28:43 - E♭ Major Arpeggiated Approach 31:05 - How to Transpose Summary 32:30 - Conclusion 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 +917760456847 (Mobile & WhatsApp) 📧 Customised & Private Classes: music@nathanielschool.com 🎧 Listen to Jason Zac Music: https://geni.us/AbsenceYouTubeJZB #ItCameUponTheMidnightClear #Transposition #ChristmasPiano

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Develop hand independence with funky bass grooves and 7th chords on piano 🎹 🎹 Reach out to our Course Advisor for structured Piano Courses & Groove Mastery ➡️ https://forms.gle/fsbhFKSgJbZ5xZEr8 In this Piano Tutorial, you’ll learn how to build real hand independence by combining a Root–Octave Bass Groove in the Left Hand with Funky Seventh Chords (Gm7–C7) in the Right Hand. We explore:🎵 Rhythmic Displacement – Anticipation & Delay🎵 Root–Octave Bass Movement & Passing Notes🎵 Chromatic & Chordal Bass Transitions🎵 Groove Balance between Both Hands🎵 Dorian Mode Concepts & Smooth Voice Leading By the end, you’ll develop stronger coordination, groove, and understanding of rhythm, essential for playing funk, pop, or jazz on piano. ============================= 📹 Our Video Courses (Everything for Life Bundle) - https://www.nathanielschool.com/members-videos 🏡 Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube ============================= ▶️ Related Videos & Playlists 🎹 Bass Lines Broken Chords - https://youtu.be/bQFv0btok4Y 🎸 Guitar & Bass Lessons (Playlist) - https://www.youtube.com/playlist?list=PLrNNL05e9FT-I7UTYJOHKX8wmLREor07A ✋🏽 Hand Independence (Playlist) - https://www.youtube.com/playlist?list=PLrNNL05e9FT-On4vodpAoZqTlWDCS5jv7 🥁 Conquer Piano Rhythm - https://youtu.be/Vf-RgfoJ0kg ============================= 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://www.nathanielschool.com/ 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://www.nathanielschool.com/free-tutorials ⏳ 00:00 - Performance 00:18 - What we will learn? 01:52 - Dorian Scale/Mode 02:23 - G Dorian & F Maj (2nd Mode) 02:44 - Gm7 - C7 02:58 - Root Position 03:32 - Common Notes 03:59 - Inversion Shapes 04:51 - Left Hand Root - Octave Pattern 05:12 - Whole Notes - Minims - Quarters 06:17 - Similar to the Drum Kit 06:38 - The Challenges of Displacement 07:03 - What is Rhythmic Displacement? 07:32 - Dividing by 2 - Quavers 07:47 - Feeling the Excitement of the “&” 08:25 - The Default for both hands 08:38 - Anticipation vs Delay 09:47 - Rests vs Tied Notes 10:51 - Putting it together with the Right Hand 11:33 - Articulation with Staccato & Legato 12:29 - Rhythmic Delay 14:54 - Anticipation & Delay for Beat 2 16:02 - Delaying the 2 16:50 - Passing Bass Notes 18:04 - Chromatic Bass Movement 19:22 - Singing the Bass (Left Hand) 𝄢 21:16 - Learning Music at Nathaniel 💰 Donate on PayPal: https://geni.us/DonatePayPal 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 📞 +917760456847 (Mobile & WhatsApp) 📧 Customised & Private Classes: [music@nathanielschool.com](mailto:music@nathanielschool.com) 🎧 Listen to Jason Zac Music: https://geni.us/AbsenceYouTubeJZB

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🎓 Take your music skills to the next level with in-depth courses: https://forms.gle/fsbhFKSgJbZ5xZEr8 In this Voice Leading Lesson, you will understand how this music theory topic is important for music composition with 5 roles that it plays to make harmony come to life and sing out! Also, understand the different between Chord Inversions, Voicing & Voice Leading. 🎼 Chord Inversion Playlist- https://www.youtube.com/playlist?list=PLrNNL05e9FT9ygtrGwGFmfyvMyGWH52EC 💡 Modern Piano Voicing + Arpeggio Flow- https://youtu.be/BYsa73GUqYM 🖐️ 5 Elegant Piano Voicing Techniques - https://youtu.be/mgkPhQaVaQQ 🔑 2-5-1 Piano Voicing Made Easy - https://youtu.be/68c00OOM-ag 📹 Our Video Courses (Lifetime Bundle): https://www.nathanielschool.com/members-videos 📇 Courses, Workshops, Videos, or Private lessons: https://forms.gle/fsbhFKSgJbZ5xZEr8 👉🏼🏡Visit our Channel for more Tutorials & Performances - https://geni.us/NathanielYouTube 🎓 Learn Music With Nathaniel School of Music & Jason Zac: https://www.nathanielschool.com/ 🎼 Register for our virtual workshops & lessons: https://geni.us/UpcomingClasses 🎶 Learn all about our flagship course, "Music Method": https://www.nathanielschool.com/musicmethod 📚 All our YouTube lessons (1000+) categorised by skill level, topic & genre all in one place: https://www.nathanielschool.com/freelessons 🐣 All our Beginner Piano Lessons in one Place: https://www.nathanielschool.com/free-lessons/tags/beginner-1 ⏳ 00:00 - Performance 01:10 - Importance of Voice leading 01:41 - What we will learn? 02:11 - Chord Inversions vs Voicing vs Voice Leading 03:38 - Voicing Considerations 04:52 - Minor 9th Cluster 05:41 - 6/9 & Quartal & Quintal Voicing 06:35 - What is Voice Leading? 08:08 - What happens to these Voices? 08:51 - 1. Smooth Harmonic Transitions 09:29 - Singable Melody 10:29 - 𝄢 Role of the Bass 11:16 - Cadences - Plagal & Authentic 12:42 - The hope for the Listener 13:09 - 2. Make a Single Chord Last Longer 13:48 - The Suspended State 15:26 - The Bottom - Line Cliche 15:56 - 3. Melodic Movement 16:12 - The familiar “Twinkle Twinkle Little Star” 17:14 - Making it interesting for the Harmony Singers in a Choir 18:03 - 4. Each Part gets a chance to Shine! 18:45 - 5. Open vs Closed Voicing 19:15 - Clusters of Seconds (Skyfall - Adele) 20:08 - F minor with ALL Intervals 20:41 - Close vs Open Voicing 21:33 - Spread Voicing for Singing & Ear Training 22:33 - What lies ahead and Conclusion 📧 Customised & Private Classes: music@nathanielschool.com 📞 +917760456847 (Mobile & WhatsApp) 👨‍👩‍👧‍👦 Follow me on Instagram: https://instagram.com/jasonzac 🎧 Listen to Jason Zac Music: https://geni.us/AbsenceYouTubeJZB 💰 Donate on PayPal: https://geni.us/DonatePayPal #VoiceLeading #MusicTheory #PianoChords

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